Alright, I'll be patient then. But if you are still sort of in the intro phase, why not throw in a couple of problems that don't resolve themselves? It would make for much better reading. E.g. the manager/owner of the restaurant is prejudiced against mixed-size couples, but May, who is awesome, isn't magically there to fix the problem even before it arose. Again, that's just one example of what you could have done. Then Micha would have to scramble (and prove to the readers why they should care about him...), and there might be a strain on Juni so we get to see a hint of what might look like.

It's either that or longer chapters were something actually happens. You sort of say it yourself, you're talking about everyday stuff even though in this chapter he literally proposed to his gargantuan girlfriend. That should be a pivotal moment, not a "meh, we went to the restaurant and it was mildly annoying but it all turned out okay"-kinda thing. Just my two cents. You don't have to go overboard right away but even solving everyday problems can be interesting so long as they have to be solved (and it's actually really interesting from the tiny perspective, it adds so much). Thanks for your reply!

Wicked. I like how you tell the survival plot through dialogue, and sometimes even in the background while characters interact with each other over something more immediate. Also, the length of the chapters is crafted very well. Stunning work. 

It's a good start. I've always liked your writing. I'm just a bit bummed you didn't put this as a part of "the purge". Maybe it's because I'm ignorant of the actual source material in this instance, but I feel like you could've achieved roughly the same setting in that other story by exploring a little side arc or secondary main arc or something like that. Now you have to go through world and character building all over again while that other great work lays dormant. 

Still looking forward to some meat on this, obviously.