




Date: August 16 2025 2:40 AM Title: PART 32
Well shit it seems Helena is slowly bringing Domica down a few pegs lowkey or more to her side with these little tasks. Not that watching her use her divine feet to break those tinies souls was not truly wonderful to behold, just seems Helena is getting something out of this arrangement after all.
Domica showing an interest in all this does peak ones interest in the fact that if she were to come along with the whole Kingdom thing those two definitely would be unstoppable. There very well could be a power struggle later on given the personalities but a true power duo if they managed to get along long enough to harness it.
The Implanting vs Breaking thing does seem to be an interesting clash of values down the road, especially if Anna and her new protege Naomi come knocking one day down the road.
---
We finally get to see a break in the tough veneer of Juliette and all over a tiny at that, Clara must have really gotten through her tough exterior to warrant such a mass call to action from everyone including an outsider no less.
Little by little Trevor seems to be endearing himself to the Kingdom through his kindness and willingness to help even if the scenario is a little whacky compared to his belief system. Not sure if him and Domica are warming up to Helena and her ways yet but it does kind of seem they are a little.
Kass is very important to the way things go in the Kingdom even if it is a delusion of grandeur she still is the person on the ground dealing with issues when the Goddesses are away. Her importance even if she won't say it is likely MORE so though that of her deities given how closely she works with everyone.
---
Kass and Trevor really seem to be hitting it off more ways than one which likely will set Domica off in the future especially if Trevor keeps antagonizing her like he seems set on doing.
The more she see of the Kingdom, the more Domica seems to be getting hooked on its charms and whimsy, I am not sure if Helena had this planned or not but it looks like she has made a powerful ally after all as long as she plays her cards right the next for weeks.
I do now wonder what Becca would think of Kass hanging around Trevor given her pension for worshiping the likes of Helena and even possibly Domica soon enough and Becca's stance of standing up for tiny rights even if their living in a perennial paradise.
---
There is the Domica I know and fear!
I'm shocked it took -this- long for her to try and make a run at the Kingdom. Helena lead her right into it without a second thought and now the virus has been uploaded and it may cost her the very thing she built so lovingly.
The woman in Domica's ass might not be the only one meeting their end end if she has her way of The Kingdom one day soon. Something tells me her style of civilization for the wee folk is a bit differently from Helena's.
Though seeing Kass try to speak of whimsical peace and understanding and unity etc whilst elbow deep digging the crud from between Amber's monster toes would be quite the counter culture shock for her...not to mention poot Carla who freaked out over something bad happening which may be right on her tiny doorstep.
---
When the five girls first walked in I truly expected the worst for Scarlett and especially Becca but it seems for now all is well. Honestly when they approached them at the park I still expected them to be bullying a tiny or two or something similar.
Becca has been wonderful or Scarlett but the love triangle brewing leaves me wondering how all this plays out especially if Amber ever catches on. I'm still expecting a love triangle when it all comes to pass though.
---
Having read "To Break In A Pet" and "MAJOR/minor" before the imprinting aspect has been on the table for many years. I could easily seeing somebody like Domica/Helena or a number of others taking great advantage of it to benefit their whims or even amusement.
Helena knows what Domica is capable of and now having been exposed to The Kingdom it seems Domica does now too thus the shoes are off as they say.
Clara seems like tiny gal one would come across on Discord or the old days of Sizechange/MIRC whathaveyou, playfully bratty with a hinge of drama mixed in to keep the bigger folks on their toes.
Gentle floats a lot of boats just like everything else does in this community, there are a lot of different cooks and spices to be had so if it didn't hit for one it definitely did for another.
1. Trevor having the Domica plot armor does allow him to get away with more backtalk than typical tiny could. He should be a little more careful just in case Domica takes a liking to a Kingdom member and their unquestioned/unrelenting style of worship.
2. Fair, she saw him coming out of a tiny cabin with another woman thus he receptors had to be a little pointy after that.
3. Kass is wonderful, she is like if Becca wasn't broken down by The Amber Assault to get where she is now. She didn't need the teen toejam to get her to where she was just humble devotion, acceptance and a good spirit to accept her lot and roll with it.
As for Domica in the Kingdom it was long overdue, Helena unleashed a lioness she may never be able to put back in the cage when she comes for her neck. It actually makes me wonder how others like Amber/Scarlett, Naomi, Penelope etc would react to encountering such a place.
The Rejection Therapy worked fine for what it needed to be, Becca is a tiny therapist helping mighty soccer goddesses overcome their inner demons and grow as humans thus it fit her character to try and help her anyway she could.
As I stated above The Love Triangle aspect for the Soccer Sisters still seems like the most logical and oddly expected choice. They've all been wonderful for each other so you hope it works out for them all.





Date: August 12 2025 4:15 PM Title: PART 32
another crazychapter. and so long! awesome!
Author's Response:
Crazy chapters are kind of my thing! So it’s amazing to hear that you’re enjoying the wild ride. And thank you for saying that about the chapter length... I’m always second-guessing if they’re too long, so that’s seriously reassuring.





Date: August 12 2025 12:24 AM Title: PART 32
Wow this chapter was amazing and the introduction to imprinting is hella cool and damn rip to little girl dying in ass ….. she went out on a high note at least
i love that Trevor still has some fight left in him to stand up for himself
can’t wait for more
Author's Response:
If you’re gonna go out, there’s no better way than up Donnica’s magnificent ass!
Imprinting’s been simmering under the surface for a while, so it’s exciting to finally let it breathe and start building it out as a real story engine.
And Trevor? He doesn’t back down from Donnica... well, until she turns around, bends over and shows him her ass. Then, yeah, it's game over for him lol
More to come ;)





Date: August 11 2025 10:40 PM Title: PART 32
Amazing chapter as always can't wait to review all the part
Author's Response:
Awesome! Can’t wait to hear what you think once you dive in :D
Date: August 11 2025 10:33 PM Title: PART 32
Great chapter.
Also did Donnica kill the girl she was imprinting? If so would this affect her role with Helena?
Also I think Vivara is my favorite character
Author's Response:
Donnica absolutely crushed her with that mighty asshole of hers! As for how it might shake things up with Helena... well, you’ll just have to keep reading and find out ;)
Vivara's been such a blast to write, I'm so glad you're enjoying her! She’s definitely not done yet.





Date: August 10 2025 8:50 PM Title: PART 31
A little comment just to say how perfect the chapter since the break has been. Don’t get me wrong, the entire story is amazing, just since the comeback it’s really become even better the works on the world building the character, also the descriptions especially in chapter 31 with the kingdom are pristine.Also, all the new characters are incredible from the clumsy Scarlett, the glitter duo, the mean Natasha. The dumb Peneloppe all of them bring something interesting to the story and they are different from the previous character. But there is still a huge issue where is Jasmine?
So, thank you so much to brink us that level of quality with every chapter and I will continue to support you for a long time. But please bring Jasmine back
Author's Response:
HA!
How did I already know who’d be the one to drop review number 200? :)
Thank you so much for the kind words... since chapter 27 the story has really blown wide open, with a bigger plot and an even bigger cast. It’s definitely taking more out of me to juggle it all, but I’m genuinely excited to show everyone where it’s headed.
"But there is still a huge issue where is Jasmine?
So, thank you so much to brink us that level of quality with every chapter and I will continue to support you for a long time. But please bring Jasmine back"
...Jasmine? Who’s Jasmine??? Is that some obscure background character from way back? Because I’m drawing a total blank here :D :D :D
(thanks for all the support bro... I love that you were #200)





Date: August 10 2025 8:47 PM Title: PART 31
The last segment of this amazing chapter focuses not on Trevor but on someone much larger: Helena. As the true Queen she is, she requires a fitting place, and nothing is better than her own throne inside the kingdom. As a goddess, she demands worship, with many tinies adoring her perfect feet. All I can say is how much I love this image.
However, it reveals even more clearly that the kingdom is nothing more than a sect, led by a beautiful guru but a sect nonetheless. Kassandra shares Helena’s view: giantesses are goddesses, and tinies are mere worshippers. This notion is perfectly understood by all those living in the Kingdom. I can’t help but wonder how it’s achieved.
Helena harbors another secret: a tiny from the cupboard town, captured with Donnica, now hidden inside her ass, tortured simply for not looking at Helena properly. This act alone reveals the world Helena desires a world where tinies are conditioned to see themselves as worshippers of the goddess. This is why Celine, and likely Trevor too, are such a pain in the ass for Helena. They are tinies who refuse to bow down, who are brave enough to challenge her, and, in Trevor’s case, even threaten her. These are tinies who never submit, no matter how giantesses intimidate them. Yet, even in Helena’s worldview, some tinies are more valuable than others. The most precious to her is Kassandra her beloved Kassandra one of the few tinies who can speak to her and, even more remarkably, be heard.
But this time, even her precious Kassandra may have fallen under Trevor’s charm. The conversation between Helena and Kassandra is captivating. I loved how Helena treats Kassandra almost like a mother with her daughter. She’s so proud of her it’s almost funny. It reminds me of earlier chapters when she interacts with Vikki and Ricci. It’s refreshing to see Helena being kind to some tinies, moving beyond the cold persona she was first introduced as.
However, for once, Kassandra isn’t entirely aligned with Helena on one
topic: Trevor. Helena clearly isn’t a fan of Trevor; she’d likely prefer to
have nothing to do with him. Yet, circumstances make him her legal property and
a key part of her plan with Donnica, for whom Trevor is one of the most
precious things in the world. To reconnect with Donnica, Helena must handle
Trevor carefully, even if it means sharing secrets like the existence of the
Kingdom or leveraging his intellect for her own purposes. But to Kassandra,
Trevor isn’t just a brilliant mind—he’s also a handsome man, and it seems she
enjoys his company. A humorous moment is when Helena asks how Trevor behaved
toward Kassandra. It almost feels like Helena views him as a jerk but also as a
useless tiny. Kassandra, however, sees him differently. She wants him back whether
for the seed code or other reasons, only time will tell.
Another detail I love about this segment, and the chapter in general, is the lexical field surrounding divinity. It infuses the kingdom with a religious undertone, amplifying the duality of the kingdom as either a paradise for tinies or a sect designed to create obedient subjects whose sole purpose is to love and worship the giantesses.
Author's Response:
"The last segment of this amazing chapter focuses
not on Trevor but on someone much larger: Helena. As the true Queen she is, she
requires a fitting place, and nothing is better than her own throne inside the
kingdom. As a goddess, she demands worship, with many tinies adoring her
perfect feet. All I can say is how much I love this image."
Haha, yes, I couldn’t unveil the Kingdom without giving its
ruler her proper stage! I’m so glad her introductory moment worked for you… I
really wanted to capture that image of Helena on her throne, a living mountain
of power with a mass of tinies worshipping at her feet. That image slaps!
"Helena harbors another secret: a tiny from the
cupboard town, captured with Donnica, now hidden inside her ass, tortured
simply for not looking at Helena properly. This act alone reveals the world
Helena desires a world where tinies are conditioned to see themselves as
worshippers of the goddess. This is why Celine, and likely Trevor too, are such
a pain in the ass for Helena. They are tinies who refuse to bow down, who are
brave enough to challenge her, and, in Trevor’s case, even threaten her. These
are tinies who never submit, no matter how giantesses intimidate them. Yet,
even in Helena’s worldview, some tinies are more valuable than others. The most
precious to her is Kassandra her beloved Kassandra one of the few tinies who
can speak to her and, even more remarkably, be heard."
Hah, so you’re calling Trevor and Celine a pain in Helena’s
ass… are you hinting they might literally end up there? (Again!) :p
Jokes aside, you’re spot on. This is where we really start
to see why Helena treats Trevor with such disdain. He’s not just an obstacle to
her influence over Donnica, he embodies everything a tiny shouldn’t be in her
eyes: equal, defiant, unwilling to worship properly. Her worldview is strictly
hierarchical, and Trevor’s very existence challenges it. The question is… will
one of them bend to the other, or will they find some uneasy way to coexist? So
many delicious possibilities!
"But this time, even her precious Kassandra may have
fallen under Trevor’s charm. The conversation between Helena and Kassandra is
captivating. I loved how Helena treats Kassandra almost like a mother with her
daughter. She’s so proud of her it’s almost funny. It reminds me of earlier
chapters when she interacts with Vikki and Ricci. It’s refreshing to see Helena
being kind to some tinies, moving beyond the cold persona she was first
introduced as."
Yes! I love this side of Helena too… it rounds her out so
much. Her rigid hierarchy still leaves room for deep, genuine affection toward
the tinies that she considers her own. That “proud mother, perfect daughter”
dynamic between her and Kassandra adds a family warmth to the Kingdom that I
adore. Those moments of gentleness give her such dimension and contrast so
sharply with her cruelty elsewhere.
"But to Kassandra, Trevor isn’t just a brilliant
mind—he’s also a handsome man, and it seems she enjoys his company. A humorous
moment is when Helena asks how Trevor behaved toward Kassandra. It almost feels
like Helena views him as a jerk but also as a useless tiny. Kassandra, however,
sees him differently. She wants him back whether for the seed code or other
reasons, only time will tell."
Indeed, only time will tell exactly what Kassandra’s motives
are, though I think readers can probably make a few good guesses. And if “proud
mother” Helena ever found out? That could get… interesting.
"Another detail I love about this segment, and the
chapter in general, is the lexical field surrounding divinity. It infuses the
kingdom with a religious undertone, amplifying the duality of the kingdom as
either a paradise for tinies or a sect designed to create obedient subjects
whose sole purpose is to love and worship the giantesses."
That makes me so happy to hear! The religious-erotic
undercurrent was one of the main tones I wanted for this chapter. I love
weaving sub/domm and worship into the fetish, so it’s a huge part of how I
imagine the Kingdom. I’m thrilled you could feel it in the bones of the story world.
And wow… you really did a review for every segment! I’m
flattered, truly. Thank you for all these thoughtful insights man! Loves ya!





Date: August 09 2025 8:15 PM Title: PART 31
After leaving the beautiful Vivara, it’s time for Trevor to meet Kassandra again, but first, he needs to find her in the Assembly House. The description of this place is absolutely flawless, and the comparison between Helena’s throne and the Assembly House is perfect. It creates a compelling dynamic of power between the goddess Helena and Kassandra, the ruler of the tinies. Even though the Assembly House is huge and beautiful, it’s nothing compared to Helena’s throne, which constantly showcases her power. She is the goddess of this place, the queen, and with just this piece of furniture, she reminds everyone of her dominance.
Trevor, however, isn’t here for the architecture he’s here to see Kassandra, who is still busy. While exploring the place, Trevor meets Conner, a teenager working on Wuthering Heights. I absolutely loved this part where they discussed the book. It feels like the break we needed after the action and discoveries of the previous three segments. It adds a touch of normality to the “paradise” of the Kingdom, reminding me of the moment in the park when Annie and Trevor talked about Eternal Hunger a scene I adored.
The clash of perspectives between Trevor and Conner on Wuthering Heights feels so real, like an authentic discussion about the novel. One thing that surprised me, though, is why Conner can’t share his work with Trevor because he’s an outsider. It’s odd since it’s just about a book, not the Kingdom itself, which raises more questions about all the secrets kept in this place. I also feel like the choice of Wuthering Heights isn’t random, but since I haven’t read it, I can’t catch the hint it might be dropping for DAW.
After his chat with Conner, it’s finally time to meet Kassandra, but Trevor makes a mistake and interrupts Gavin and Lena having sex. This moment is hilarious and shows that sex is definitely not taboo in the Kingdom, making it feel even more like a sect.
When Trevor finally reaches Kassandra’s office, he’s surprised to see her smoking. I loved that little detail, and Trevor’s joking about it is a nice touch. Their conversation is fascinating, especially learning the real reasons why Vikki and Ricci wanted him here for Kassandra, not just for the seed code. The discussion about Trevor’s relationships with Donnica and Annie is great too; I love how Kassandra plays with words.
The best part, though, is the philosophical depth and the contrasting viewpoints of these two characters. Kassandra argues that the tinies are supposed to serve and worship the giantesses, while Trevor disagrees.
Personally, I find Kassandra’s view a bit messed up. She describes the giantesses like parents who give you life, food, shelter, and protection, but we don’t treat our parents like gods. Why should all giantesses be revered when many of them are flawed or foolish? Yes, they’re big and could kill the tinies, but when you look at tinies like Trevor, Celine, Vikki, Ricci, and Rebecca, they outshine many giantesses. Kassandra also claims Trevor does the same with Donnica and Annie, but I think it’s different because he chose them, he’s not forced to love them because their giant.
It’s amazing to see this philosophical layer in DAW with two smart characters like Kassandra and Trevor.
Author's Response:
"After leaving the beautiful Vivara, it’s time for
Trevor to meet Kassandra again, but first, he needs to find her in the Assembly
House. The description of this place is absolutely flawless, and the comparison
between Helena’s throne and the Assembly House is perfect. It creates a
compelling dynamic of power between the goddess Helena and Kassandra, the ruler
of the tinies. Even though the Assembly House is huge and beautiful, it’s
nothing compared to Helena’s throne, which constantly showcases her power. She
is the goddess of this place, the queen, and with just this piece of furniture,
she reminds everyone of her dominance."
Love that the throne came off this way! In the original
draft of the Assembly House scene, the throne actually wasn't there… and
when I went back through on the rewrite, I realized the moment was totally
missing the weight of power. Like, sure, the Assembly House shows a smaller
form of government, and with Conner we get a further sense of tiny agency, but
it needed something visceral, something erotic that reminded everyone of
the raw scale of giantess power. And then I thought: THE THRONE.
"Trevor, however, isn’t here for the architecture
he’s here to see Kassandra, who is still busy. While exploring the place,
Trevor meets Conner, a teenager working on Wuthering Heights. I absolutely
loved this part where they discussed the book. It feels like the break we
needed after the action and discoveries of the previous three segments. It adds
a touch of normality to the “paradise” of the Kingdom, reminding me of the
moment in the park when Annie and Trevor talked about Eternal Hunger a scene I
adored."
Yeah I really liked that moment too, it gave the Kingdom
some room to breathe. It had just been revelation after revelation:
first the Kingdom reveal itself, then the Seed Code, then Vivara... it was
getting heavy. So this little book chat felt like a perfect break. I love the
way you put it: a touch of normality. There’s something disorienting
about something so mundane happening in such a surreal place, and that
dissonance was exactly what I wanted it to feel like.
"After his chat with Conner, it’s finally time to
meet Kassandra, but Trevor makes a mistake and interrupts Gavin and Lena having
sex. This moment is hilarious and shows that sex is definitely not taboo in the
Kingdom, making it feel even more like a sect."
Sex is definitely not taboo in the Kingdom! And yeah…
there’s more where that came from in future chapters ;)
"When Trevor finally reaches Kassandra’s office,
he’s surprised to see her smoking. I loved that little detail, and Trevor’s
joking about it is a nice touch. Their conversation is fascinating, especially
learning the real reasons why Vikki and Ricci wanted him here for Kassandra,
not just for the seed code. The discussion about Trevor’s relationships with
Donnica and Annie is great too; I love how Kassandra plays with words."
Yesss I loved writing the smoking bit. Believe it or not, I
had that part in my head long before I even knew what the conversation
would be. Even before I had Kassandra fully figured out. I just had this image
months ago of Trevor walking into this surreal little kingdom, getting ushered
into some leader’s private office… and then finding her calmly smoking while
waiting for him. That was one of the seeds. So much grew out from that!
Funny how one small image can anchor a whole future scene.
Writing brains are weird like that lol.
"Personally, I find Kassandra’s view a bit messed
up. She describes the giantesses like parents who give you life, food, shelter,
and protection, but we don’t treat our parents like gods. Why should all
giantesses be revered when many of them are flawed or foolish? Yes, they’re big
and could kill the tinies, but when you look at tinies like Trevor, Celine,
Vikki, Ricci, and Rebecca, they outshine many giantesses. Kassandra also claims
Trevor does the same with Donnica and Annie, but I think it’s different because
he chose them, he’s not forced to love them because they’re giant."
Totally loving the responses I’ve been getting on the
Trevor/Kassandra convo… this is exactly what I was hoping for. She’s got some
pretty wild beliefs, and it’s fun seeing them bounce off Trevor’s more grounded
(but still kinda fucked up in their own way, lol) perspective.
This is the good stuff, honestly. It’d be so dull if
Kassandra had some bland, agreeable take. I love that she’s got her own
intense, complicated worldview, that’s what keeps it interesting!
(At least that’s what I hope!)
Wow! Amazing review man, I am so appreciative that you take the time to comb over my work and give such detailed analysis.
Thank you!





Date: August 03 2025 12:54 AM Title: PART 31
There's so much to get into here with these last two segments!
I think I'll start with Kassandra's very convincing yet extremely flawed (and most definitely sizeist) view on giant-tiny relations. If you just listen to her words and not really think about them, they sound like right, inarguable, definitive. But if accept this worldview of hers, you have to also accept some pretty fucked up things as well, once you really dive into what she's saying.
Let's take her whole natural selection argument, for example. Tinies were meant to serve giants; that's what nature determined. Really? So is everyone born with a birth defect born to serve those without them? Every person who is handicapped is determined by fate to serve the able-bodied? Hell, does every young child have an obligation toward the servitude of the adults who provide the structure and resources to allow them to survive?
The notion that some degree of dependence demands servitude toward those being depended upon is really messed up when you stop and think about it. The thought that dependence makes you lesser falls apart when you realize that everyone is dependent on something or someone, whether that dependence be emotional, financial, or societal. Not to get too deep into political theory here, but the whole reason government exists, regardless of form, is more or less centered around human dependency.
Size is such an extreme illustration of this, especially given the scale of size in this story (which I fucking love, by the way), but it holds true all the same. I'd argue that Trevor and Donnica's relationship is a prime example of this, as, ironically enough, Donnica has come to lean on Trevor much more than the other way around, I'd say.
But then, this whole conversation between Kassandra and Trevor just feeds into what I called one of the major themes of this arc in my last review: the inability of the world to understand the nature of Trevor and Donnica's relationship. In this case, that misunderstanding is especially prevalent, as Kassandra's own messed up beliefs restored hope for a relationship with Trevor even after he told her he was taken (by two women, no less; I love how he unashamedly includes Annabel when talking about his relationship).
Kassandra is convinced that Trevor has misunderstood the nature of his relationship with Donnica, and, in my view, wants Trevor to come back to help him understand the "truth" and court him. She can't comprehend that Trevor is romantically involved with one "goddess," let alone two, so she doesn't view him as taken at all. He just needs to understand that the "goddesses" don't feel that way about tinies, then Kassandra will be able to win him over. That's what's happening in S5, I think. Kassandra didn't laugh at Helena's disparaging remark about Trevor because she cares about him, and she cut off the goddess and pretty much lied to said goddess in order to have a chance with Trevor. I'd even go so far as to say that Kassandra letting Trevor see her smoke is a sign of her immediate affection for him.
But back to Kassandra's fucked up belief system (I went on a little tangent there), it's so interesting to me that the most level-headed, down-to-earth person in the Kingdom, the one who seems so competent and not cult-influenced, is the one we hear this nonsense from. It really makes you wonder how she fell into this mindset. I think there's probably something to her talking about the harshness and the sometimes futile struggle for tinies in the outside world. Maybe she was humbled in a way she had never been before. And I feel like this was the part of her argument that got Trevor starting to really consider her argument (despite the fact that he disproves it in so many ways).At the same time, though, I have a really hard time seeing someone like Kassandra just throwing in the towel and giving up like that.
No, I think there's something more to it than that.
Which brings me to Wuthering Heights. You throwing an actual book reference in here (rather than making up books like before), threw me for a loop. Was this a clue as to what's going on in the background for Helena and the Kingdom? Is Trevor the Mr. Lockwood of this scenario? Was this just a cool, creative way to introduce Conner into the story? Are you just obsessed with gothic literature?
I actually thought through several ways in which what we know about this arc so far might relate to this arc. I found Connor's take on the story really interesting, and it makes sense, given how pretty much every character in that story other than Hareton and Cathy. The concept of two pawns in a greater, super petty scheme finding true happiness and "correcting" the mistakes of those who came before you (or were doing the scheming possibly in this case) could apply the tinies of the Kingdom (or maybe even the Kingdom itself) in a lot of ways, I think.
Hopefully nobody marries their cousin in this story, though!
But I was much more interesting in the fact that Hareton was brought up at all. Because, the more I think about it, the more I feel like Kassandra is something of a Hareton stand-in, with Helena playing the role of Heathcliff and Celine that of Catherine. Now that's clearly not an apples to apples comparison, but I feel like it fits (or I've convinced myself of it, anyway!) I'm starting to think the Kingdom is a tale of fractured love, revenge, and real estate.
As such, I feel like Helena has manipulated Kassandra much like Heathcliff manipulated Hareton and for exactly the same reason. Granted, the way Helena gushed over Kassandra and even gave into her in S5 had me second-guessing this a bit. But then again, wasn't Heathcliff's affection for Hareton sincere by the time he died?
I don't know, I might be grasping at straws here, but I feel like there's something there at the very least. And I feel very confident that there was a deeper meaning to this Wuthering Heights reference; I've learned by reading this story that you have a reason for pretty much everything.
And while we're on this literary comparison, it also gave me an epiphany that I now feel should have been obvious before: Celine created the Kingdom. I'm not 100 percent certain about this, but the pieces seem to be there. I said I thought it should have been obvious to me sooner, and that's because of MINAR and the Seed Code. We know Celine built MINAR, a system designed for "autonomous residency," something Helena kind of mocked a little bit in S5 when she mentioned letting the subject "play at agency." And we know that Celine either created or sabotaged (or both) the Seed Code, something that no one else seems to understand and the BFFs weren't even remotely concerned that Trevor could accidentally screw up, implying Celine has an intimate understanding of it (unless the "sabotage" was really accidental, which hasn't been ruled out but I kind of doubt).
You see, at first I assumed that this Kingdom was something bestowed to Helena by this organization that we still don't know for sure exists but definitely does (or OTWSDKFSEBDD for short!). I thought this modern miracle was given to every sovereign, assuming that this was the position that Helena herself held, and that there was some test that needed to be taken to earn the right to have one.
But now I don't think that's the case. I think the titles like "goddess," "subject," and "sovereign" are an OTWSDKFSEBDD (yes, I actually used it!) thing, as are the principles instilled in Helena's Kingdom and the fostering of tiny communities like Helena owns. But the miracle of Helena's Kingdom? the artificial sun, the real tiny plant life, and the other wonders inside it? I think Celine did that and probably before she shrank.
Maybe Celine's urge to defend her fellow tinies started before she was a fellow tiny. I mean, Helena's place used to Celine's family mansion, right? It would make sense that it was Celine that had the new development on the estate and the infrastructure housing what is now called the Kingdom installed. In fact, if the OTWSDKFSEBDD (yep, sticking with it!) distributes the tech that left Trevor stunned, why couldn't Helena simply ask them how to alter the Seed Code? I suppose maybe she's planning something that goes against their rules, but I find that unlikely given how upset she was when Penelope broke the possible group's rules with Trevor.
No, I think no one else can figure out the Seed Code because Celine is the only one who can, and she's not telling anyone.
And why won't she? Because Helena is trying to ruin Celine's vision. Like Heathcliff and the two estates in his literary world, I think Helena's interest in "the Kingdom" is as much about revenge as anything. Maybe she really does want to expand the Kingdom (hence the real estate angle; see how far I'm willing to stretch things?), but this expansion will be the Wuthering Heights to the Kingdom's Thushcross Grange. Or maybe Helena wants to make ... other changes to the Kingdom once she gets access to the Seed Code, ruining the miracle altogether just to shove it in Celine's tiny face.
Or at least that's my new working theory. They change quite a bit, so maybe I'll have a whole new one by the end of the next chapter!
I was wondering if we'd ever see that girl from trash town again, and we, uh, almost did! Too bad she couldn't come out and say hello, but hey, at least Helena was comfortable the whole time! Seriously, though, I'm actually not a butt guy (gasp!), but I was hanging on every wiggle or slight adjustment from Helena in S5. It was really hot!
More importantly, we found out that, at least in extreme cases, imprinting goes beyond physical tolerance. Helena has apparently done this to "create" new subjects (or slaves, it wasn't entirely clear what Helena's long-term plan for the defiant tiny is), so it seems as though this can rewire a tiny's whole brain.
This mad me wonder more about Amber and Rebecca. We know some (accidental) imprinting has taken place with Rebecca (hence her sudden love of Amber's feet). And, of course, Amber had that, let's call it a phase, when her dominance of Rebecca seeped into everything about their relationship. So while I do think the feelings between them are at least mostly sincere, I'm now asking the question: How much of Rebecca's love for Amber is because of who Amber is and how much of it comes from this imprinting thing.
We also still don't know everything about how imprinting works, too. Trevor didn't imprint with Amber during the early chapters of the story. Did he just need more time, or is there an emotional component to it. Is Helena sticking the defiant tiny up her ass about more than just physical surroundings? Maybe the feeling of inferiority and being dominated plays a role. I mean, I'm not even asking these questions about Trevor and his relationship with Donnica and Annabel, and he's been exposed to them for way longer than either of these other examples.
So I'm not trying to lessen what Amber and Rebecca have, but that little bit did get me wondering just a little bit on Rebecca's end of things.
I should probably comment on the open sexuality of the Kingdom's cult-like environment. I didn't get around to mentioning Vikki and Ricci doing a little striptease and wanting to show Trevor their bodies, but between that and Gavin and Lena's scene in S4, there's clearly a trend here. The two bureaucrats weren't the least bit embarrassed or shamed when Trevor walked in on them. They were annoyed that they were interrupted, feeling obligated to help him before continuing. They even got right back to it before Trevor even left the room!
So yeah, there's clearly a culture of sexual openness established in the Kingdom. I wonder if that was something bestowed upon them by the goddesses or if that just comes natural given the sexual nature of at least Goddess Vivara (I'm sure the others probably share that in their own ways) and their inability to have privacy in such a tiny world.
Lastly, I just wanted to say, holy shit! You painted such a vivid picture of the Assembly House and even the landscaping surrounding it. It was so easy to picture and came off as nothing short of grand in my mind. And the fact that the throne so easily towered over it, reminding Trevor of to whom this realm really belonged, was just perfect!
Hey, look at me! I finished the chapter! Fantastic work on this one. I know the fetish content wasn't overly abundant, but the lore more than made up for it and really got my mind going thinking of all the possibilities about what's really going on with this arc. And hey, the smut we did get was great! Vivara was so much fun and came off as larger than life, and Helena putting that tiny rebel in her place (which happens to be inside Helena's ass) was hot in a way I wouldn't have expected going in to this. And that vision of Juliette descending on the tiny world and being worshipped? Just awesome!
I'm really looking forward to seeing where you take this next (and having all my theories blown out of the water!).
Author's Response:
"Size is such an extreme illustration of this,
especially given the scale of size in this story (which I fucking love, by the
way), but it holds true all the same. I'd argue that Trevor and Donnica's
relationship is a prime example of this, as, ironically enough, Donnica has
come to lean on Trevor much more than the other way around, I'd say."
I love this point, and it’s so true… and I think it’s one of
the best things running through the whole story. You’ve got Donnica, this
absolute force of nature, powerful in every imaginable way, and yet she leans
on Trevor in ways no one else sees. It’s honestly the backbone of their relationship
(and also kind of their half of the story) you have this woman who sometimes believes she’s a god, and the
tiny man who’s always there to center her.
"But then, this whole conversation between Kassandra
and Trevor just feeds into what I called one of the major themes of this arc in
my last review: the inability of the world to understand the nature of Trevor
and Donnica's relationship. In this case, that misunderstanding is especially
prevalent, as Kassandra's own messed up beliefs restored hope for a
relationship with Trevor even after he told her he was taken (by two women, no
less; I love how he unashamedly includes Annabel when talking about his relationship)."
Of course he has to include Annabel! That’s his Annie! Who
else is going to talk classical lit with him? Okay, maybe Conner, but still… he’s
no Annabel. And yeah, this is such a great way to sum up one of the major
themes of the whole story: how nobody seems to understand Trevor and
Donnica’s relationship except them. Even Annabel didn’t at first. Neither did
Donnica’s friends at the island. Amber didn’t either way back when. But it
always endures. And it keeps shaping everything around it.
I wonder what the future has in store for those two…
"Kassandra is convinced that Trevor has
misunderstood the nature of his relationship with Donnica, and, in my view,
wants Trevor to come back to help him understand the 'truth' and court him. She
can't comprehend that Trevor is romantically involved with one 'goddess,' let
alone two, so she doesn't view him as taken at all. He just needs to understand
that the 'goddesses' don't feel that way about tinies, then Kassandra will be
able to win him over. That's what's happening in S5, I think. Kassandra didn't
laugh at Helena's disparaging remark about Trevor because she cares about him,
and she cut off the goddess and pretty much lied to said goddess in order to
have a chance with Trevor. I'd even go so far as to say that Kassandra letting
Trevor see her smoke is a sign of her immediate affection for him."
Boy… if that’s what she’s thinking, she’s in for a
rough awakening hahaha. I loved writing that moment too, Helena just
absolutely laughing at the idea that her precious, perfect Kassandra
might ever lust after someone like Trevor. I definitely had “mom who thinks her
daughter is a flawless princess” energy when I was writing that.
"Which brings me to Wuthering Heights. You throwing
an actual book reference in here (rather than making up books like before),
threw me for a loop. Was this a clue as to what's going on in the background
for Helena and the Kingdom? Is Trevor the Mr. Lockwood of this scenario? Was
this just a cool, creative way to introduce Conner into the story? Are you just
obsessed with gothic literature?"
Oookay so I know you go deep into theories after this and I
won’t be able to respond to most of them (you know how I do!) but I will
say I’m super impressed at how well versed you are in Wuthering Heights.
Seriously… did you just read it, or do you have an insanely good memory?
"Hopefully nobody marries their cousin in this
story, though!"
ya neverrrrrrrrrrrrrrrr knowwwwwwwwwwwwwwwwwwwww with me!
"I'm starting to think the Kingdom is a tale of
fractured love, revenge, and real estate."
ohhhhhh there may be some personal stakes here ;)
"And while we're on this literary comparison, it
also gave me an epiphany that I now feel should have been obvious before:
Celine created the Kingdom. I'm not 100 percent certain about this, but the
pieces seem to be there. I said I thought it should have been obvious to me
sooner, and that's because of MINAR and the Seed Code. We know Celine built
MINAR, a system designed for 'autonomous residency,' something Helena kind of
mocked a little bit in S5 when she mentioned letting the subject 'play at agency.'
And we know that Celine either created or sabotaged (or both) the Seed Code,
something that no one else seems to understand and the BFFs weren't even
remotely concerned that Trevor could accidentally screw up, implying Celine has
an intimate understanding of it (unless the 'sabotage' was really accidental,
which hasn't been ruled out but I kind of doubt)."
Yeah, I think it’s a pretty safe assumption that Celine was
at least somewhat involved in creating the Kingdom. Trevor even
speculates back in S3 that she might’ve built the Seed Code. The full extent
of her involvement though? That’s still very much up in the air…
"Maybe Celine's urge to defend her fellow tinies
started before she was a fellow tiny. I mean, Helena's place used to be
Celine's family mansion, right? It would make sense that it was Celine that had
the new development on the estate and the infrastructure housing what is now
called the Kingdom installed. In fact, if the OTWSDKFSEBDD (yep, sticking with
it!) distributes the tech that left Trevor stunned, why couldn't Helena simply
ask them how to alter the Seed Code? I suppose maybe she's planning something
that goes against their rules, but I find that unlikely given how upset she was
when Penelope broke the possible group's rules with Trevor."
Great point! If the Seed Code belonged to the OTWSDKFSEBDD
(I respect the commitment), then Helena wouldn’t need to send Trevor in at all (or the glitter duo) they’d probably have a tech team or someone who could handle it. And yes, that is
Celine’s old family mansion. Hmmm… all these pieces, what could they
mean?
"I was wondering if we'd ever see that girl from
trash town again, and we, uh, almost did! Too bad she couldn't come out and say
hello, but hey, at least Helena was comfortable the whole time! Seriously,
though, I'm actually not a butt guy (gasp!), but I was hanging on every wiggle
or slight adjustment from Helena in S5. It was really hot!"
Bro, you just need to spend a little time up a woman’s ass… maybe
not Helena’s specifically, but y’know!
All jokes aside, thank you! I agree… there’s something so
hot about a giantess sitting in complete, smug regality while a tiny is trapped
helplessly beneath her. Whether it’s up her ass or in her shoe, it’s that
dynamic of effortless power that makes it land. Glad this moment worked for you! (even if butts are not your thing!)
"This made me wonder more about Amber and Rebecca.
We know some (accidental) imprinting has taken place with Rebecca (hence her
sudden love of Amber's feet). And, of course, Amber had that, let's call it a
phase, when her dominance of Rebecca seeped into everything about their
relationship. So while I do think the feelings between them are at least mostly
sincere, I'm now asking the question: How much of Rebecca's love for Amber is
because of who Amber is and how much of it comes from this imprinting thing."
Yeah, this has been seeded into the story for a while now.
Even way back in CH17, Rebecca was talking to Trevor about how there were
scientific studies suggesting that giants and tinies could develop physical
bonding links. And if you go all the way back to early sex scenes between Amber
and Rebecca, like in CH13, when Amber makes her say “who’s the slave and who’s
the master” you can already see Rebecca starting to submit despite
having just argued with Amber a moment before.
So yeah… something’s going on there.
Maybe we’ll get more insight into that soon… say, in the next
chapter?
"I should probably comment on the open sexuality of
the Kingdom's cult-like environment. I didn't get around to mentioning Vikki
and Ricci doing a little striptease and wanting to show Trevor their bodies,
but between that and Gavin and Lena's scene in S4, there's clearly a trend
here. The two bureaucrats weren't the least bit embarrassed or shamed when
Trevor walked in on them. They were annoyed that they were interrupted, feeling
obligated to help him before continuing. They even got right back to it before
Trevor even left the room!
So yeah, there's clearly a culture of sexual openness
established in the Kingdom. I wonder if that was something bestowed upon them
by the goddesses or if that just comes natural given the sexual nature of at
least Goddess Vivara (I'm sure the others probably share that in their own
ways) and their inability to have privacy in such a tiny world."
Yes! This is something I really wanted to bake into the
worldbuilding, to show that the Kingdom has this otherworldly openness when it
comes to sex. It plays into the story being erotica, sure, but it also adds to
the surrealism. The idea that something so “normal,” like the expectation of
privacy, has been totally inverted. It makes the place feel intoxicating… or
unsettling, depending on your view.
"Lastly, I just wanted to say, holy shit! You
painted such a vivid picture of the Assembly House and even the landscaping
surrounding it. It was so easy to picture and came off as nothing short of
grand in my mind. And the fact that the throne so easily towered over it,
reminding Trevor of to whom this realm really belonged, was just perfect!"
Thanks so much!
That section actually went through a few rewrites and the
throne wasn’t even in the first draft. But I’m really glad I added it. My
favorite part of the description might be the bit where Trevor realizes it
probably isn’t as old as it looks…
"Hey, look at me! I finished the chapter! Fantastic
work on this one. I know the fetish content wasn't overly abundant, but the
lore more than made up for it and really got my mind going thinking of all the
possibilities about what's really going on with this arc. And hey, the smut we
did get was great! Vivara was so much fun and came off as larger than life, and
Helena putting that tiny rebel in her place (which happens to be inside
Helena's ass) was hot in a way I wouldn't have expected going in to this. And
that vision of Juliette descending on the tiny world and being worshipped? Just
awesome!"
Hey hey! You did it!
Yeah, I was a little worried about the SMUT levels in this
one too… which is why I tried to go hard with what I did include. I
still wanted it to read as a fetish piece, even as I leaned heavy into
worldbuilding. But honestly, this was such a fun little detour to write. It
felt so different from a lot of the earlier chapters in the best way. The
feedback’s been awesome so far, so I feel way more confident diving deeper into
this little Kingdom.
"I'm really looking forward to seeing where you take
this next (and having all my theories blown out of the water!)."
Hahaha and I’m looking forward to reading them and not being
able to confirm or deny a single one :D
Seriously though… great review as always, even if I couldn’t
respond to half of it lol. I have a feeling you’ll have plenty more
theories after the next chapter drops.
Thanks again, man!





Date: August 02 2025 9:49 PM Title: PART 31
Now we enter the core of the kingdom, all the technical parts, and we are going to discover why Trevor has been allowed to enter the kingdom.
But before reaching this part, he continues his exploration, and a moment that keeps my attention is “there was an uncanny rhythm to it, a dreamy choreography that made him feel less like a traveler and more like a character being written into a story.”
It’s really made me feel like the kingdom is far from being the paradise introduced in the first segment but more like something with a lot of secrets.
I enjoy a lot the difference between what he shows through the text with the description of the place and what we can imagine through the eyes of Trevor. But now he enters the core, where everything related to the kingdom is defined, and the work on the description is so flawless; it’s really a huge strength of this chapter.
And what we can see of this place is how complex it is; Trevor even compares it to the Matrix, but it’s not; it’s the seed code. And all we can say is how perfect it is, completely working in full autonomy, making sure everything is perfect, without any problem and never needing human intervention, and that it’s probably the closest thing to God’s work, way more than the false divinity of Helena and her girl.But when Trevor tries to work on the understanding of this code, Vikki and Ricci show their real intention; they don’t bring Trevor for the code but for another reason, way more trivial. Kassandra, they want to make Trevor and Kassandra fall in love with each other. And this part is fantastic; I love Vikki and Ricci so much. They are so innocent for this world, they are so cute, and they also so kindly took the risk to piss off Helena and the other so-called goddesses to make Kassandra happy. But sadly, for our glitter duo, Trevor only focuses on the code (he also has two complicated and crazy women to deal with). And we finally know the truth: this place wasn’t the creation of Helena and her girl, but the creation of Celine, and that’s changed a lot of things and explains others. Maybe the reason she is under status C is to protect this place and the people who lived there. And also, why does Helena want her to submit so much? Because she needed her to expand the kingdom. The “reason” why Trevor has been accepted in the kingdom in the first place is because he “beat” Celine, but it looks too complicated for him, or maybe he doesn’t really want to succeed? Only time will tell.
We also learn a bit more about our little duo and their past, and it broke my heart. Poor little Vikki and Ricci were sold to a logic farm by their own family. And the reaction of Trevor is incredible; without even thinking, he took both in his arms. It was wholesome. It was like Trevor offered them a family moment they can’t have anymore; I love this image.
After this beautiful moment it’s time to leave this place to meet Kassandra again, but this time in her own office, and as a pleasant surprise we discover everything is not ruled by the goddess; some stuff is dealt with by tiny people. It’s an interesting aspect; we just need to know how deep it goes.During the walk the kingdom reveals another beautiful side, but not with a view this time, with another giantess who also offers an amazing view. Vivara, and if Juliette is cold, it’s not the case with our new goddess. She is taking a bath with many tiny playing on her gigantic and also perfect body. And damn, that’s hot.
The description of Vivara is incredible; it almost feels like the description of a mythic creature, something so beautiful that it shouldn’t exist in this world. It really feels like you are describing a Greek goddess where every aspect of her body is sacred, and the fact there are many tiny around her playing with her body increases that aspect it’s a scene we could see in Greek mythology. It really empowers Vivara. And she also loved our glitter duo who joined her in the bath. Making sure they show their bodies to Trevor, even Vivara was interested in our tiny hero. But sadly, for her, he is taken by two beautiful and completely messed-up giantess.
This new character is fantastic, and it is nice to see the range of the women in the Helena estate, from the cold Juliette to the lustful Vivara. I can’t wait to discover all the range the kingdom can offer. Both from giantesses and other tiny also. And the scene after is perfect, and the fact that taking a bath with a giantess is not possible anymore, except in the kingdom, makes this place even more special.Also, a perfect moment is when Vivara saw Trevor and Vikki and Ricci explained to her who he is; it’s so funny, and after the description of Vivara slowly moving to observe Trevor, it's so hot, lol. But even with the dream vision around him, this perfect goddess naked in hot water with tiny playing all around his body doesn’t seduce. Trevor still has his two own goddess and a mission to go see Kassandra. But when he leaves to meet her, he sees Vivara enjoying herself, and it’s another scene directly coming from Greek mythology, and damn, all I can say is it’s hot. And it feels like Vivara doesn’t give up on the idea of owning Trevor, and even with all his will, Trevor can’t force himself to stop watching her.
In conclusion, another perfect segment into the kingdom. It’s interesting to see how all this place works, and it’s also proved to us how Celine is smart for building all these places, even if I want to know why she built all these places. Was she a pro tiny before she got the virus, or did Helena or other people help her build it? So many questions. I also loved the details about Vikki and Ricci’s past; it’s nice to know more about our cute little duo. And of course, the main part of this chapter is the meeting with Vivara, and damn, I know I've said it before, but the work on every detail in this entire chapter is incredible, and it’s probably the best one yet with the description of Vivara. We can really feel all her beauty, and I really feel like she was truly a goddess directly coming from Mount Olympus.
Author's Response:
"I enjoy a lot the difference between what he shows
through the text with the description of the place and what we can imagine
through the eyes of Trevor. But now he enters the core, where everything
related to the kingdom is defined, and the work on the description is so
flawless; it’s really a huge strength of this chapter."
thank you for saying so! my descriptive text goes through a
ton of revision, especially in this chapter where setting the atmosphere was
absolutely critical. The Kingdom is such a surreal, otherworldly place that the
tone had to hit just right. I’m really glad it stood out to you :)
"And what we can see of this place is how complex it
is; Trevor even compares it to the Matrix, but it’s not; it’s the seed code.
And all we can say is how perfect it is, completely working in full autonomy,
making sure everything is perfect, without any problem and never needing human
intervention, and that it’s probably the closest thing to God’s work, way more
than the false divinity of Helena and her girl."
Wait… are you trying to say Helena and her girls aren’t
actual living goddesses?!?
(yeah okay, fair point)
also, I’m so glad you remembered the Matrix bit. Writing
that cracked me up.
"Vikki and Ricci show their real intention; they
don’t bring Trevor for the code but for another reason, way more trivial.
Kassandra, they want to make Trevor and Kassandra fall in love with each other.
And this part is fantastic; I love Vikki and Ricci so much. They are so
innocent for this world, they are so cute, and they also so kindly took the
risk to piss off Helena and the other so-called goddesses to make Kassandra
happy."
yes!! I’m so glad you pointed that out… they really did
take a risk bringing Trevor into the Kingdom. I think characters are at their
best when they have agency, and while the glitter bomb duo are definitely
faithful to the Kingdom and Helena, they clearly have minds (and hearts) of
their own. Their love for Kassandra runs deep, and their soft spot for Trevor
is obvious. That’s what made this moment feel so genuine to write.
"The “reason” why Trevor has been accepted in the
kingdom in the first place is because he “beat” Celine, but it looks too
complicated for him, or maybe he doesn’t really want to succeed? Only time will
tell."
great point. I think the first time around, Trevor was so
caught off guard by the Kingdom that he just went with the flow. But if he
keeps getting pulled deeper into its politics and inner workings… it'll be
interesting to see what he does with that.
"After this beautiful moment it’s time to leave this
place to meet Kassandra again, but this time in her own office, and as a
pleasant surprise we discover everything is not ruled by the goddess; some
stuff is dealt with by tiny people. It’s an interesting aspect; we just need to
know how deep it goes."
yes! I love that you picked up on that… Kassandra’s
leadership and the idea that not everything in the Kingdom is handed
down from on high. There’s a structure, a society, an actual system of
governance among the tinies themselves. If the giantesses were the only ones in
charge, it would honestly be a lot more boring.
"The description of Vivara is incredible; it almost
feels like the description of a mythic creature, something so beautiful that it
shouldn’t exist in this world. It really feels like you are describing a Greek
goddess where every aspect of her body is sacred, and the fact there are many
tiny around her playing with her body increases that aspect it’s a scene we
could see in Greek mythology. It really empowers Vivara."
this is EXACTLY the vibe I was going for! Even when I was
picking her name, I wanted it to have that mythological, old-world resonance.
The bronze skin, the green and gold eyes, the curling auburn hair… I wanted her
to feel less like a character and more like a legend walking. I’m so thrilled
that came across.
"This new character is fantastic, and it is nice to
see the range of the women in the Helena estate, from the cold Juliette to the
lustful Vivara. I can’t wait to discover all the range the kingdom can offer.
Both from giantesses and other tiny also."
yes absolutely! One of the things I’m most excited for is
rolling out more of the different 'goddesses' who have roles in the Kingdom, and
you’re absolutely right, they each have very different personalities, beliefs,
and ways of asserting their divinity. I think it’ll be really fun to explore
that full spectrum!
"Also, a perfect moment is when Vivara saw Trevor
and Vikki and Ricci explained to her who he is; it’s so funny, and after the
description of Vivara slowly moving to observe Trevor, it's so hot, lol."
yes! I had so much fun writing that moment… Vivara leaning
out over the bay, just looming over him like she was assessing a new worshipper
for her temple. I’m so glad you found it hot, because it was definitely
hot to write!
"In conclusion, another perfect segment into the
kingdom. It’s interesting to see how all this place works, and it’s also proved
to us how Celine is smart for building all these places, even if I want to know
why she built all these places. Was she a pro tiny before she got the virus, or
did Helena or other people help her build it? So many questions. I also loved
the details about Vikki and Ricci’s past; it’s nice to know more about our cute
little duo. And of course, the main part of this chapter is the meeting with
Vivara, and damn, I know I've said it before, but the work on every detail in
this entire chapter is incredible, and it’s probably the best one yet with the
description of Vivara. We can really feel all her beauty, and I really feel
like she was truly a goddess directly coming from Mount Olympus."
it’s awesome to hear you say that and especially cool that
you’re calling it your favorite segment so far because of Vivara! The
funny thing is, I only added her in because I realized I hadn’t written any
SMUT for the chapter yet and thought, “shit, I better do something!” Then once
I got into it… I just loved the vibe, and she took on a life of her own.
Now I’ve written her further into the story and she’s playing a bigger role
going forward.
All because I needed some smut lol.
Thanks again for the review man… this one was super insightful and really fun to read through!





Date: July 30 2025 6:17 AM Title: PART 31
Something clicked for me during that last part of S3.
Seeing the way those tinies worshipped Vivara and the way she cherished them in return, I realized how these "goddesses" view things, why even someone like Helena can look at Vikki and Ricci with love and admiration. If a tiny fully devotes themselves to the goddesses, loves them, worships them, admires them, then the goddesses will cherish them in return. Like any other divine being, morals knowing their place and showing reverence is rewarded. That's why Juliette, someone who was introduced to us as an arrogant, tiny-hating aristocrat, holds the Kingdom as sacred: because she believes in this system as much as the rest of them.
This made me think back to Celine's warning the last time she was with Trevor. She told him that Trevor was only safe until Helena convinced Donnica to "think like them," then he'd end up in a cage right next to her. I didn't know exactly what Celine meant by this then, and I mostly just assumed she was saying that Helena would convince Donnica to hate Trevor like she does every other tiny. But now I realize what Helena's plan to get rid of Trevor is.
She thinks that once Donnica experiences the type of "love" the goddesses receive from subjects of the Kingdom, her relationship with Trevor will pale in comparison. She thinks that what she has is so much greater than what Donnica has with Trevor that once Donnica has the chance to have a Kingdom of her own (assuming my prediction about that "sovereign" stuff is right), she can finally make Trevor pay (or watch Donnica make him pay) for being a thorn in her side.
Now, maybe I'm blinded by my thoughts on Donnica and the Kingdom (I've been saying for two reviews now that she'd despise this setup, so maybe I just have that on the brain), but, if this is actually Helena's plan, she's in for a rude awakening. Because, like I said back in the trash town, while their actions may be similar, their motivations are entirely different.
I don't think Donnica wants to be adored by tinies. I don't think a bunch of little people loving and trusting her completely would move her in the least. I think she'd be disgusted, actually. This leads into what I'm starting to see as a major theme of this arc: Nobody understands Donnica and Trevor's relationship (except Annabel, for obvious reasons, although that whole thing would just confuse everyone even more!).
Ricci and Vikki have obviously been trying to hook Trevor up with Kassandra, and that was basically confirmed in this segment. I have to believe that the BFFs know about Trevor's relationship with Donnica. But I don't think they're even capable of understanding what it really is. We haven't seen anything to confirm it yet, but based on what they're trying to do, I can only imagine they assume that Trevor's relationship with Donnica is like their relationship with Helena, which obviously isn't remotely true. But, in their minds, that's as close to a giant as a tiny can get; it's beyond their understanding that a tiny could actually date a giant.
Tying this into what I think Helena is trying to do with Donnica, I don't think Helena can comprehend that Donnica truly holds Trevor as an equal, that she holds him up as above even her fellow giants, something she's done at least since that vacation to the island (where it was stated outright). Helena actually believes that Donnica wants to be worshipped, to be loved by a tiny cult who view her as literal divinity.
Helena can't understand that it's that stubbornness, that very thing that Helena hates about Trevor, that makes him special to Donnica. As much as she hates the weakness and helplessness of most tinies, it's Trevor's strength that draws her to him. Trevor is everything these "subjects" are not, and I don't see Donnica ever choosing having them over Trevor. it wouldn't even be a decision, really. She'd probably stomp the potential subjects flat for daring to challenge for Trevor's place in her heart before Helena could even fully explain what's going on.
So yeah, unless I'm just way off (and wasted all those words!), I'm pretty sure Helena is doomed to fail when it comes to Donnica.
Also, I'll be interested to see how Vivara treats tinies outside of the Kingdom if/when we see her in the real world. She sounded like a real sweetheart here, but so did Helena when talking to Vikki and Ricci a couple chapters ago. I could see her doing a total 180 if we see her interacting with non-subjects. Again, I feel like this organization's code is all about returning the love and devotion of their subjects with showering them with divine (and possibly patronizing) love.
You know, I know the Seed Code was probably the most significant thing mentioned in the segment, but it was the logic farm that most grabbed my attention. Aside from the incredibly sad story of Ricci and Vikki's families selling them (what the fuck?! Also, yet another glance on the diverse views on tinies by the wider world of giants), how they came into Helena's possession really got me thinking.
So there are places where highly skilled tinies are sold and forced to do cognitive labor. And that's where "the goddesses" bought Vikki and Ricci and "saved" them. It kind of makes you wonder what these goddesses were doing at that logic farm in the first place, doesn't it? And not only did they go to one, but they made purchases as well. Maybe it's just me, but I don't feel like brilliant, incredibly skilled tinies are an impulse buy. It seems to me as though the goddesses were there looking for a particular type of tiny to buy. So it also doesn't seem like a coincidence that they bought two genius tinies with mindboggling programming skills (and possibly others as well).
That brings me back to what I've been asking in my other reviews in this chapter so far. Just what makes these "subjects" so special that they get to live in paradise while the rest have to suffer at the mercy of a world much to large for them? Well, for Vikki and Ricci, that now seems pretty obvious. They weren't found or just so happened to know the right person to get there; they were purchased. I mentioned before that I thought each subject might be highly skilled in some way and that's why they were "chosen," and this made me feel a little more confident about that prediction.
... until Vivara told Trevor he'd make a good subject, that is! Her making this appraisal after just looking at him implies that skill isn't a requirement at all, and that the goddesses are either looking for something else or can just pick subjects on a whim. Granted, between Trevor telling Vivara that he was spoken for by two giants and her finding out that he was an outsider given entry by Helena to do something "important," maybe Vivara could make certain assumptions about Trevor's abilities and only be curious about his looks. But yeah, this knocked down that growing confidence in my theory by a peg.
Back to the Seed Code, though. I wonder if it actually does what the girls were told it does. I'm a bit skeptical but not outright dismissive of it. I don't think we have enough information to know much of anything about it for sure yet, but I found the claim that Donnica wants to expand the Kingdom to be quite intriguing, though. If that's true, it makes you wonder why Celine would be so unwilling to help. We never got a direct answer on whether or not she created the code, but I think we can confidently assume that she did something to it at the very least. If I remember right, didn't Helena tell Celine that Trevor was going to go in and look at the mess the tiny genius made? If Celine didn't make the code, she almost certainly sabotaged it. Or, at the very least, locked everyone else out.
Which leads me to ask why? If Donnica wants to expand tiny paradise, why wouldn't Celine want to help with that? Despite her disdain for Helena, she does seem to really care about tinykind in general (hence her occasional hostility toward Trevor; because I think that she, too, doesn't understand that Trevor's relationship with Donnica is purely romantic). So wouldn't she want to do something to help more tinies end up in a place scaled entirely to them, to give them their lives back? The fact that she doesn't makes me think there are some seriously dark intentions hidden somewhere in concept of the Kingdom. Or maybe Helena doesn't want to expand. Maybe the Seed Code does something different entirely.
Or perhaps it has something to do with Helena's plan with the firm. If Helena really is trying to make more space in her Kingdom, then I have a really hard time believing that it's a coincidence that she's also trying to remove hundreds of thousands of tinies from the state's insurance program. I mean, she wants to expand at the same time that that she's trying to throw so many tinies on the street? It would have to be related. And Donnica was surprised that they were making that move so fast, which seemed to be a throwaway line at the time. But now it seems like a clue that Helena is in a hurry for some reason. Maybe she needs to expand the Kingdom before she can move forward with the deregistration plan, and that's why Celine did what she did and won't fix it now.
Or maybe Celine just hates the subjects! She didn't seem too fond of Vikki and Ricci when we saw them all together, yet Vikki and Ricci seemed deeply saddened every time Celine came up, even when Trevor called her The Outcast like he was "supposed to." It seems that Celine feels hurt, maybe even betrayed, by something they did, while the Glitter Twins are just bummed that they can't properly hang out with her anymore.
On a less plot-heavy note, I thought it was cute how Trevor reacted when he realized what Ricci and Vikki were actually trying to do. Actually that whole scene at the terminal was amazing! The logic farm stuff was heartbreaking, but seeing Trevor have a human moment with the BFFs put a smile on my face. Trevor smiling as he realized that the girls were trying to pair him off with Kassandra was sweet, as was the girls' not quite subtle approach to it! And the stuff with the code itself, balancing out Trevor's skill by noting that there were things he recognized in there with the overall unknowable-ness of the code was really well done. I still feel like Trevor really knows his shit, despite the fact that he failed to figure anything out. And I have no doubt that those notes he took are going to come back in a big way somewhere down the line.
Also, the comparison between the dark, dreary, and technologically advanced inner workings of the Kingdom with its dream-like perfection "outside" was a nice contrast too. It's interesting to see how different the parts that allow the subjects to live their blissful lives actually operate. Also also, I'm really digging Trevor's new outlook on the Kingdom, that it's a "fever dream" or that he's suddenly "part of a story." To me, this shows that while he's amazed at what he's seeing and obviously likes it, he doesn't see it as real or a place he'd like to call home. If given the choice, I feel like he'd still choose to suffer feeling tiny in a larger world with Donnica and Annabel over feeling normal in this blissful cult haven, despite it's near perfection.
His feelings for Kassandra might be a different story, though. I'm ... a little worried that Trevor might be about to fuck up. Although, at the same time, part of me does have faith in him. He was willing to give himself to Donnica and Annabel in the most literal way possible, after all. That's as dedicated as he can get! So, at this point in his life, I do feel like he'll stay loyal to his "goddesses." Then again, we've seen Trevor "go with the flow" in situations like this in the past, too. Although, to be fair, those were always with giants.
So yeah, I mostly feel like Trevor isn't going to give in to temptation, but the concern is still there, if that makes sense.
Another awesome segment! I loved the worldbuilding and plot stuff (obviously, as this review shows), and you even worked in some great smut at the end of it!
Author's Response:
"Seeing the way those tinies worshipped Vivara and
the way she cherished them in return, I realized how these 'goddesses' view
things, why even someone like Helena can look at Vikki and Ricci with love and
admiration. If a tiny fully devotes themselves to the goddesses, loves them,
worships them, admires them, then the goddesses will cherish them in return.
Like any other divine being, morals knowing their place and showing reverence
is rewarded. That's why Juliette, someone who was introduced to us as an arrogant,
tiny-hating aristocrat, holds the Kingdom as sacred: because she believes in
this system as much as the rest of them."
I think that’s a really solid read on what’s playing out
here. The only thing I’d add is that, for all the divinity the goddesses try to
project, they’re still just women; flawed, varied, individual. They might
embrace the role, but do they all believe in the same theology, or at the very
least, do they have the same interpretation? And the same’s true for the
worshippers. Just because they wear the same colors doesn’t mean they all see
the same light.
"She thinks that once Donnica experiences the type
of 'love' the goddesses receive from subjects of the Kingdom, her relationship
with Trevor will pale in comparison. She thinks that what she has is so much
greater than what Donnica has with Trevor that once Donnica has the chance to
have a Kingdom of her own (assuming my prediction about that 'sovereign' stuff
is right), she can finally make Trevor pay (or watch Donnica make him pay) for
being a thorn in her side."
That’s an interesting way to look at it, and you might be
right in terms of Helena’s logic. But I do wonder… is Trevor really the focus
of her interest? Or is he just an obstacle she wants out of Donnica’s orbit? If
she truly hated him, she could’ve barred him from the Kingdom altogether. So
maybe her obsession isn’t with Trevor, but with whatever she believes
Donnica could become without him.
"Tying this into what I think Helena is trying to do
with Donnica, I don't think Helena can comprehend that Donnica truly holds
Trevor as an equal, that she holds him up as above even her fellow giants,
something she's done at least since that vacation to the island (where it was
stated outright). Helena actually believes that Donnica wants to be worshipped,
to be loved by a tiny cult who view her as literal divinity."
...and yet this is absolutely the truth! So whatever
Helena’s trying to do (whatever her plan for Donnica is) if it involves driving
a wedge between her and Trevor, she’s got a hell of a challenge ahead of her.
You mention later that Trevor’s rebellion is part of what draws Donnica to him,
and yeah, exactly. That’s a lesson Donnica, and even Annabel, had to learn the
hard way.
"Also, I'll be interested to see how Vivara treats
tinies outside of the Kingdom if/when we see her in the real world. She sounded
like a real sweetheart here, but so did Helena when talking to Vikki and Ricci
a couple chapters ago. I could see her doing a total 180 if we see her
interacting with non-subjects. Again, I feel like this organization's code is
all about returning the love and devotion of their subjects with showering them
with divine (and possibly patronizing) love."
Good point… and we just might be seeing our over-indulgent
goddess again somewhere down the line. But I wonder if they (the 'goddesses') all have the same interpretation
of what divinity means, exactly. So far we’ve mostly seen Helena and her
immediate subordinate Juliette… but I really wonder what the others
believe.
I’m sure we’ll find out soon enough!
"You know, I know the Seed Code was probably the
most significant thing mentioned in the segment, but it was the logic farm that
most grabbed my attention. Aside from the incredibly sad story of Ricci and
Vikki's families selling them (what the fuck?! Also, yet another glance on the
diverse views on tinies by the wider world of giants), how they came into
Helena's possession really got me thinking."
You know, all things considered, the Seed Code didn’t even
feel like the most important part of the chapter to me. Honestly, I was a
little worried it was veering too far into “sci-fi,” with this bit and when it
comes to erotica (which I really see as a branch of romance) I always gravitate
toward character work. The part that made me giddy writing this segment was
Vikki and Ricci asking Trevor about Kassandra! I just loved that interaction… it
felt like the heart of the scene. To me, these stories shine brightest when
they’re grounded in relationships.
That said… yeah, the logic farm stuff was grim.
Really dark. Gave me those “selling your children in pre-modern China” vibes.
Yikes.
"So there are places where highly skilled tinies are
sold and forced to do cognitive labor. And that's where 'the goddesses' bought
Vikki and Ricci and 'saved' them. It kind of makes you wonder what these
goddesses were doing at that logic farm in the first place, doesn't it? And not
only did they go to one, but they made purchases as well. Maybe it's just me,
but I don't feel like brilliant, incredibly skilled tinies are an impulse buy.
It seems to me as though the goddesses were there looking for a particular type
of tiny to buy. So it also doesn't seem like a coincidence that they bought two
genius tinies with mindboggling programming skills (and possibly others as
well)."
Good point! It really does make you wonder what kind of
network and presence these 'goddesses' actually have, and yeah, I’ve seen you
bring up that idea of a non-existent but definitely existent organization.
Makes you wonder if they might (theoretically, of course) have their hands in
something like that…
"... until Vivara told Trevor he'd make a good
subject, that is! Her making this appraisal after just looking at him implies
that skill isn't a requirement at all, and that the goddesses are either
looking for something else or can just pick subjects on a whim. Granted,
between Trevor telling Vivara that he was spoken for by two giants and her
finding out that he was an outsider given entry by Helena to do something
"important," maybe Vivara could make certain assumptions about
Trevor's abilities and only be curious about his looks. But yeah, this knocked
down that growing confidence in my theory by a peg."
ah yes! it really did seem like Vivara just made the
decision on the spot, didn’t it? Like she saw Trevor and, at her own loving
divine whim, just decided he should be hers. Just because she felt like it. And
yet, at the same time, the Kingdom is a functioning society… so you’d
think they’d need actual specialists at some point, right?
"Back to the Seed Code, though. I wonder if it
actually does what the girls were told it does. I'm a bit skeptical but not
outright dismissive of it. I don't think we have enough information to know
much of anything about it for sure yet, but I found the claim that Donnica
wants to expand the Kingdom to be quite intriguing, though. If that's true, it
makes you wonder why Celine would be so unwilling to help. We never got a
direct answer on whether or not she created the code, but I think we can confidently
assume that she did something to it at the very least. If I remember right,
didn't Helena tell Celine that Trevor was going to go in and look at the mess
the tiny genius made? If Celine didn't make the code, she almost certainly
sabotaged it. Or, at the very least, locked everyone else out.
Which leads me to ask why? If Donnica wants to expand
tiny paradise, why wouldn't Celine want to help with that? Despite her disdain
for Helena, she does seem to really care about tinykind in general (hence her
occasional hostility toward Trevor; because I think that she, too, doesn't
understand that Trevor's relationship with Donnica is purely romantic). So
wouldn't she want to do something to help more tinies end up in a place scaled
entirely to them, to give them their lives back? The fact that she doesn't
makes me think there are some seriously dark intentions hidden somewhere in
concept of the Kingdom. Or maybe Helena doesn't want to expand. Maybe the Seed
Code does something different entirely."
One of my favorite things about this chapter is that even
though Celine doesn’t appear directly, she’s still felt all throughout. And
yeah, that’s a great observation, surely Celine, of all people, would want to
better the cause of tinies. She definitely seems passionate about it.
And good memory! Helena did scold her over something when it came to the
code, and whether she wrote it, sabotaged it, or locked everyone else out…
there’s definitely more going on there.
More mysteries of the Kingdom...
Guess we’ll have to wait and see :)
"On a less plot-heavy note, I thought it was cute
how Trevor reacted when he realized what Ricci and Vikki were actually trying
to do. Actually that whole scene at the terminal was amazing! The logic farm
stuff was heartbreaking, but seeing Trevor have a human moment with the BFFs
put a smile on my face. Trevor smiling as he realized that the girls were
trying to pair him off with Kassandra was sweet, as was the girls' not quite
subtle approach to it! And the stuff with the code itself, balancing out Trevor's
skill by noting that there were things he recognized in there with the overall
unknowable-ness of the code was really well done. I still feel like Trevor
really knows his shit, despite the fact that he failed to figure anything out.
And I have no doubt that those notes he took are going to come back in a big
way somewhere down the line."
yeah I touched on this earlier but I really loved writing
this part… Vikki and Ricci trying to play matchmaker. If we go way back to S3
of Chapter 29, we saw the two of them sneaking up on Trevor, calling him cute,
whispering to each other… they were plotting even then. They even had to
trick Helena to get him into the Kingdom! I just feel like writing shines most
when it’s character-motivated. Like sure, I could’ve written it so
Trevor beat Celine in the programming competition and that earned him access to the Kingdom, but
isn’t this just way more fun? Isn't it more raw? More real?
As for Trevor’s skills, yeah, he’s been shown to be
remarkably capable before… But that Seed Code is clearly next-level. We’ll see
what happens!
"His feelings for Kassandra might be a different
story, though. I'm ... a little worried that Trevor might be about to fuck up.
Although, at the same time, part of me does have faith in him. He was willing
to give himself to Donnica and Annabel in the most literal way possible, after
all. That's as dedicated as he can get! So, at this point in his life, I do
feel like he'll stay loyal to his 'goddesses.' Then again, we've seen Trevor
'go with the flow' in situations like this in the past, too. Although, to be
fair, those were always with giants."
like I was just saying, there’s definitely some anticipation
there now, charged with a little mystery. Maybe not from their perspectives, but for
the reader? Absolutely ;)
Should be interesting to see how their next meeting goes…
which might just be as soon as the next segment.
"Another awesome segment! I loved the worldbuilding
and plot stuff (obviously, as this review shows), and you even worked in some
great smut at the end of it!"
You know what’s funny about the SMUT? I only added it
because the chapter had basically none up to that point. I was like,
“shit! I gotta throw something in.” And then I actually really liked what came
out of it, I got to do a breast scene (which I KNOW people have been wanting),
and I even ended up with a brand new giantess who’s sticking around further
into the story. It also let me move Ricci and Vikki out of the way and set up a
potential one-on-one between Trevor and Kassandra (which may or may not happen
next segment)
The moral of the story? When in doubt… add SMUT lol





Date: July 28 2025 4:44 PM Title: PART 31
We continue to explore the kingdom in this second segment, and it starts with the description of something much bigger than expected: a chair, or more accurately, a throne, a massive one made for only one person, the ruler of this place: Helena. I love it because it really adds to the divine aura of Helena and her girls. It’s as if she’s an omniscient goddess who can watch everything while sitting on her throne.
After seeing this throne, he continues his journey inside the kingdom, traveling to different places until he meets the tiny woman he saw earlier, Kassandra. I really loved what you did with her. She’s different from all the other tinies we’ve already met in the story. She’s like the human embodiment of the kingdom itself, beautiful, kind, almost unreal, with an air of mystery. After a small conversation, we discover who Kassandra is.
She’s the ruler of this place, at least for the tinies more like a supervisor, since the true ruler is obviously Helena, along with the girls who accompany her, like Juliette.
The funny part is how she is described by our two little suns, Vikki and Ricci. Those two are so lovable, and I adore their interaction with Kassandra, it’s almost like a mother and her two daughters, with Trevor in the middle as a stranger trying to understand the situation. During this little talk, they’re interrupted by two zealous officials: Gavin and Lena. These two are such weird specimens, fighting each other with words. This part is priceless, especially when you describe the atmosphere between them. It’s hilarious to see everyone tired of their bickering but too afraid to stop them because it might make things worse.
Thankfully, Kassandra steps in to introduce them to Trevor, but they don’t change their behavior just because he’s there they keep up their silly battle. The group: Kassandra, Trevor, Vikki, Ricci, Lena, and Gavin, move on to see the river. God, I love that part with Trevor watching the river with such emotion. It’s fantastic to see another aspect of the shrinking virus, beyond just the obvious size reduction. And it gets even better when Trevor becomes vulnerable, simply enjoying this place and realizing it’s like the world the virus took from him. It’s powerful. This is an aspect of Trevor we don’t see often. While he’s amazed by this place, he realizes he can’t learn more because of his status as an outsider.
But when he makes the mistake of criticizing Helena and her girls, everything changes. Everyone acts like he’s committed the worst act of blasphemy. This part is really interesting because it instantly turns the kingdom into a cult. What Kassandra says afterward amplifies this feeling even more. He’s forgiven for his mistake, and they continue their tour, enjoying every small moment the kingdom offers. Kassandra makes it even more pleasant for Trevor with her little stories. One of the highlights of this segment is the farm and the part about the food. I loved it, it’s so interesting to see another aspect of the virus, the fact that they can’t eat untransformed food. This detail about how the virus affects even basic needs like food makes DAW so special. The moment when Trevor eats the apple is so simple, yet we can feel all the happiness in that single bite. But probably the best part of this chapter is Juliette’s arrival. I love this part so much, the way you describe it feels like a goddess walking on earth. It’s absolutely perfect. We can feel all her power, even though she’s doing nothing but walking. And of course, the best moment is when you mention her foot odor, damn, it’s hot, lol. Though it’s a bit weird to me that almost all the tinies seem to love it, since most of the tinies we’ve met don’t enjoy foot odor. The most surprising thing is probably that the kingdom was created to ensure the giantesses can walk without destroying everything. It’s such a smart concept. The reaction of the people when Trevor doesn’t kneel is perfect and adds a lot to the idea that the kingdom is a cult. People, especially someone named Elric, are ready to hurt Trevor just to force him to kneel. It shows that, even if the kingdom looks like the Garden of Eden, there’s still some weird stuff going on. I also loved that Trevor was ready to fight instead of surrendering. It’s really nice because, after seeing the kingdom and all its good things, he could have just given in and tried to live there, after all, for tinies, it’s the closest thing to paradise. But no, he doesn’t surrender. I also loved that Juliette, no matter what happens, just doesn’t care. She’s there to deliver her message, and nothing else matters.
In conclusion, this is an amazing segment. I loved all the biblical references, which add even more divine mystique to the kingdom. I also loved that we see the kingdom isn’t just the paradise introduced in S1, it’s more like a cult. The details, especially around the virus, are fascinating. It’s compelling to see everything the tinies have lost, and how what they miss most are the simplest things, like fruits or being close to a river. The most impressive detail is probably that the floor is built to withstand the weight of a giantess, I love this idea. Overall, this fantastic segment makes us think even more about the kingdom. It also introduces great characters like the amazing Kassandra and the quirky duo, Gavin and Lena.
Author's Response:
"We continue to explore the kingdom in this second
segment, and it starts with the description of something much bigger than
expected: a chair, or more accurately, a throne, a massive one made for only
one person, the ruler of this place: Helena. I love it because it really adds
to the divine aura of Helena and her girls. It’s as if she’s an omniscient
goddess who can watch everything while sitting on her throne."
Yes, I remember when I was writing that segment and
realizing I needed to ground the reader again, to remind them of exactly where
they were, and who truly owned this place. The throne just felt like the
perfect visual for that. Stark, massive, and unmistakable. It set the tone
immediately: this is a world governed by Helena’s will.
"After seeing this throne, he continues his journey
inside the kingdom, traveling to different places until he meets the tiny woman
he saw earlier, Kassandra. I really loved what you did with her. She’s
different from all the other tinies we’ve already met in the story. She’s like
the human embodiment of the kingdom itself, beautiful, kind, almost unreal,
with an air of mystery. After a small conversation, we discover who Kassandra
is."
This is such a lovely way to frame her, thank you! You
nailed the intention. Kassandra really is meant to feel like the human
reflection of the Kingdom itself: radiant, composed, mysterious, and just a
little out of reach. I’m so glad she left that impression.
"The funny part is how she is described by our two
little suns, Vikki and Ricci. Those two are so lovable, and I adore their
interaction with Kassandra, it’s almost like a mother and her two daughters,
with Trevor in the middle as a stranger trying to understand the situation.
During this little talk, they’re interrupted by two zealous officials: Gavin
and Lena. These two are such weird specimens, fighting each other with words.
This part is priceless, especially when you describe the atmosphere between them.
It’s hilarious to see everyone tired of their bickering but too afraid to stop
them because it might make things worse."
I love that you picked up on all of this! Kassandra’s
dynamic with Vikki and Ricci was a quiet way of showing her status… words
weren’t needed when their affection spoke so loudly. And Gavin and Lena, oh
man… writing them was me stepping outside my usual tone a bit, but I’m thrilled
their chaotic bickering hit right. They’re ridiculous, but they also serve a
purpose showing the reader that the Kingdom does have a local (tiny) government of sorts.
"God, I love that part with Trevor watching the
river with such emotion. It’s fantastic to see another aspect of the shrinking
virus, beyond just the obvious size reduction. And it gets even better when
Trevor becomes vulnerable, simply enjoying this place and realizing it’s like
the world the virus took from him. It’s powerful. This is an aspect of Trevor
we don’t see often. While he’s amazed by this place, he realizes he can’t learn
more because of his status as an outsider."
Yes! I loved writing this side of Trevor. Usually, he keeps
things buttoned-up (sarcastic, sharp, a little aloof) but here? This is the
closest we’ve seen him to being overwhelmed in a while. That moment by the
river was the emotional core of the whole segment, and I’m so glad it landed.
We needed to feel the miracle through his eyes… not just be told it
exists.
"One of the highlights of this segment is the farm
and the part about the food. I loved it, it’s so interesting to see another
aspect of the virus, the fact that they can’t eat untransformed food. This
detail about how the virus affects even basic needs like food makes DAW so
special."
I really appreciate you calling that out, those little
worldbuilding details are what make the universe feel lived in. It’s one
thing to say the virus changes people; it’s another to show how it follows them
into every mundane corner of their lives. Food, farming, eating… it all shifts.
"But probably the best part of this chapter is
Juliette’s arrival. I love this part so much, the way you describe it feels
like a goddess walking on earth. It’s absolutely perfect. We can feel all her
power, even though she’s doing nothing but walking. And of course, the best
moment is when you mention her foot odor, damn, it’s hot, lol."
Haha YESSS this was one of my favorite things to write!
Juliette’s arrival was meant to feel like a shockwave. A living god
stepping into paradise, warping the world around her with nothing but presence.
And you just know I had to bring the foot smell into play (especially
with you reading LOL) And the way everyone reacted to it... well, let’s just
say there might be a reason for that ;)
"I also loved that Trevor was ready to fight instead
of surrendering. It’s really nice because, after seeing the kingdom and all its
good things, he could have just given in and tried to live there, after all,
for tinies, it’s the closest thing to paradise. But no, he doesn’t
surrender."
Absolutely. For Trevor, this isn’t paradise… not yet anyways.
He sees the gears turning behind the pageantry. He knows the giant women walking
barefoot through the fields are the same ones who argue with him over legal
filings. The ones who make his life hell over LegalSync. He’s not bowing. And
that tension (that defiance) is what makes him who he is. He was ready for a fight when Elric wanted him to kneel.
"In conclusion, this is an amazing segment. I loved
all the biblical references, which add even more divine mystique to the
kingdom. I also loved that we see the kingdom isn’t just the paradise
introduced in S1, it’s more like a cult. The details, especially around the
virus, are fascinating. It’s compelling to see everything the tinies have lost,
and how what they miss most are the simplest things, like fruits or being close
to a river. The most impressive detail is probably that the floor is built to
withstand the weight of a giantess, I love this idea. Overall, this fantastic
segment makes us think even more about the kingdom. It also introduces great
characters like the amazing Kassandra and the quirky duo, Gavin and Lena."
This might be my favorite part of writing the Kingdom, that
sharp contrast with the outside world. I don’t just get to tell readers
what tinies have lost… I get to show it. In the soil. The food. The
rivers. The longing for the ordinary. And when those details resonate (like
they clearly did here with you) it means the world to me. I’m also thrilled you
loved the new characters! Kassandra in particular is going to be important
going forward... maybe even very important ;)
Thanks for the review man, amazing as always :)





Date: July 28 2025 3:22 AM Title: PART 31
The cult-like behavior intensifies! S2 starts to give us clearer picture of at least some of what Helena and friends might be getting out of the Kingdom.
It makes a lot of sense that the Kingdom's subjects have come to so highly revere the "goddesses." Kassandra made that pretty clear when she explained the harsh reaction to Trevor plainly speaking Helena's name:
"They’ve given us so much," she said gently, her voice threading through the tension like balm. "We try to honor that every day through dedication and worship."
You can't really blame them for feeling this way. Of course, that's clearly exactly how Helena and company want the to feel. Between that massive thrown sitting at the edge of their tiny world and the anger that Elric dude showed when Trevor didn't bow to Juliette, it seems pretty clear to me that at least part of what the "goddesses" gain from this is the enjoyment of pretending that they really are goddesses, roaming the tiny landscape and being worshipped and adored by tinies who don't know any better.
I highly doubt that's all that's going on here, but it seems to me that's a piece of the puzzle.
Also, I could see people maybe being a bit tempted to start thinking that maybe Helena isn't so bad after all. I mean, look at what she's doing for these tinies; so she's maybe not as big of a tiny hater as we thought?
But to me (and that wonderful strawman I just set up!), this actually makes her worse! Helena is both figuratively and literally destroying tiny lives on the outside, despite having the technology handy to give them their own perfect little world. This tech, if put in the right hands and distributed correctly, could make the lives of so many tinies so much better. And with the self-sufficiency of the farms to grow their own food and the walls apparently needed to generate this ecosystem, the cost of feeding and insuring tinies would pretty much just go away for anyone choosing to live in paradise. Yeah, I'm sure there are some serious costs to keep that place running (although we technically don't know that yet), but I feel like this might actually be a cheaper way to house tinies. And, again, they'd be so much happier!
Oh, and back to the food thing, I didn't even think about how processed and altered tiny food on the outside had to be in order for them to be able to digest it. Seeing Trevor truly enjoy that apple made me realize how fucked up it is that Helena (and the people of this mystery organization that might only exist in my head!) are hoarding this. They could easily use that tech and employ tinies to grow real food for tinies. But they don't, just letting the average tiny suffer either the processed shit or, in the case of the garbage town people, whatever they can find on the street.
So even if wanting to be properly worshipped and feeling like goddesses were Helena and friends' only motivation, that's still incredibly evil. No matter how you look at it, there are so many ways this tech could be used to help tinies, and not only is Helena not doing that (although, in her very slight defense, there may be rules against her sharing it), but she's actively trying to get hundreds of thousands of tinies thrown onto the street so they can live in the hellish inverse of the Kingdom: the trash towns. As much as people want to criticize Donnica for her stance on tinies (and justifiably so), even she's not holding the de facto cure for tininess only watch those most in need of it suffer and enjoy being worshipped by the chosen few.
That actually makes me wonder again what Donnica would do with this tech. I'm still of the opinion that she would hate this. Honestly, she'd probably destroy it because it would go against what she views as the natural order of things. That'd still be fucked up, of course, but at least it'd be principled on Donnica's part. Helena just wants to use tinies in various ways to reaffirm her sense of superiority, I think. Donnica would keep outside tinies from the promised land because she'd keep all tinies from it. She would fundamentally think its existence is wrong.
Now watch a chapter or two from now (or maybe even later in this one) Donnica show up and be all for this, just to prove me wrong!
Back to Juliette being worshipped, I couldn't help but notice how ... into Juliette's foot smell everyone not named Trevor was in that scene. So much so that at least some of them were trying to soak in what was left of it after Juliette took Kassandra. This sounded a lot like how Rebecca feels about Amber's feet to me. It's almost like the tinies have been conditioned to be into the smell of Juliette's (and presumably every other "goddess's") feet. That sort of feeds into the cult vibe quite a bit, which, again, would explain why Elric could barely stand the fact that Trevor wasn't bowing.
And I can only imagine how surreal it must be for Trevor to see his co-workers and rivals looked upon as literal divine beings. It has to feel a little silly, but I wonder if it makes him feel special at all. Like he's stared down Helena multiple times, bartered with her, taunted her. She's a god to those people, and she's just an office annoyance to him. It's so interesting to see these two perspectives clash in this environment.
As for Kassandra herself, I was almost as enchanted with her as Trevor was! God, he's going to get himself into some trouble with Donnica if he's not careful! Of course, that would depend on whether Kassandra was into him as well. But I can see why he's so enamored. The gentle, measured way with which she always seems to carry herself, that serene aura surrounding her, the way she doesn't even have to raise her voice for even the most unruly of people to respect her words: All of it is so alluring and admirable. And then there's how she deflects every question Trevor has that she can't answer, but she does so in a way that doesn't leave him the least bit frustrated, just happy to be talking with her. Hell, even Juliette seems to have a special place in her heart for Kassandra (although, combined with how she feels about the Kingdom in general, that might be how she feels about all these special tinies).
Gavin and Lena were way more fun than bureaucrats have any business being. I loved their constant back and forth, as well as their differing views on Trevor. Gavin seemed insulted that Trevor was there at all, let alone that the outsider had the audacity to try to help them with their problem. Lena seemed much more intrigued with Trevor, which fits her more laidback, don't worry so much about the rules persona. They also helped to show just how self-sufficient the tinies there really are.
And Trevor's reaction to realizing that everything around him was real instead of artificial was handled perfectly. His shock at this perfectly conveyed how big a deal this was, both personally and scientifically. Because you went hard at the worldbuilding here, making it very clear how impossible this would seem to anyone not from the Kingdom and highlighting just how terrible the real world alternatives were to what the subjects enjoy. So not only was this an emotional journey that Trevor took us on, but it also gave us a better understanding of the larger world. I love that kind of multitasking!
Finally, I'm now wondering even more just how these people are that get to live in the Kingdom. Why are the goddesses seemingly so soft and almost loving to these tinies but so brutal and terrible to the ones on the outside? What would it take for an outside tiny to become a subject? Is that even a thing? Or were these people all selected for a particular purpose? Pretty much all of the subjects we've met by name so far seem to be specialists in something, even Gavin and Lena. Maybe competency in certain areas is a requirement for consideration?
Oh, and before we start anointing this place as a paradise for tinies, I'm still wondering if we're going to see any slaves here. Because Celine wasn't just the Outcast, she was also called a slave. Maybe slaves are just for the goddesses, but given the disdain the residents seem to show slaves (at least with Vikki, Ricci, and Celine, anyway), there certainly doesn't seem to be any sympathy for the slaves. I wonder if the subjects would even question it if slave tinies were put to work in the Kingdom itself. Or maybe that's how some of this got made in the first place. Who knows? Don't answer that.
This segment really got me thinking, and you even slipped in the first size content of the chapter at the end there. You sold Juliette's size in this tiny world masterfully, by the way! Now maybe we'll find out exactly why Trevor is in the Kingdom in S3, unless Ricci and Vikki decide to be naughty again (it looks like they're trying to hook Trevor up with Kassandra?).
Author's Response:
"You can't really blame them for feeling this way.
Of course, that's clearly exactly how Helena and company want the to feel.
Between that massive thrown sitting at the edge of their tiny world and the
anger that Elric dude showed when Trevor didn't bow to Juliette, it seems
pretty clear to me that at least part of what the "goddesses" gain
from this is the enjoyment of pretending that they really are goddesses,
roaming the tiny landscape and being worshipped and adored by tinies who don't
know any better."
Yeah, I think that’s a solid take, and I’m glad it came through naturally just by observing how the scene played out. The Kingdom really is a world where these women are elevated to walking goddesses, and they get to bask in that reverence. But there's also the suggestion that they love their tinies in return in some way (like the way Juliette's picked up Kassandra). I found your final note really interesting too; “tinies who don't know any better.” Someone like Elric definitely feels zealous, almost fanatical, and Vikki and Ricci are basically faith incarnate. But Kassandra stands apart… more level-headed, more self-aware. Is she an outlier? Or are here more like her?
"Also, I could see people maybe being a bit tempted
to start thinking that maybe Helena isn't so bad after all. I mean, look at
what she's doing for these tinies; so she's maybe not as big of a tiny hater as
we thought?"
Haha, I won’t lie, I had a brief moment of panic reading
this, thinking, oh no… is he coming around on Helena? So it was a relief
to see your next paragraph make it clear you’re still not buying the Special Council’s
PR campaign.
And I completely agree, someone sitting on tech like this
and choosing to hide it? That borders on criminal. It’s the kind of innovation
that could upend everything. The kind of power you don’t keep in a dome unless
there’s something much bigger going on. So I wonder if there is, in fact, something else going on here...
"Back to Juliette being worshipped, I couldn't help
but notice how ... into Juliette's foot smell everyone not named Trevor was in
that scene. So much so that at least some of them were trying to soak in what
was left of it after Juliette took Kassandra. This sounded a lot like how
Rebecca feels about Amber's feet to me. It's almost like the tinies have been
conditioned to be into the smell of Juliette's (and presumably every other
'goddess's') feet. That sort of feeds into the cult vibe quite a bit, which,
again, would explain why Elric could barely stand the fact that Trevor wasn't
bowing."
Good catch! They were definitely into it. But I wonder if it’s
just foot smell? Or is it something more layered? Maybe they’ve been
conditioned to crave more than just a scent… maybe it’s pheromonal, maybe it’s
psychological. Maybe worship isn't just cultural… it’s chemical. Or maybe they
just really worship the giantess!
There are definitely a lot of possibilities.
"And I can only imagine how surreal it must be for
Trevor to see his co-workers and rivals looked upon as literal divine beings.
It has to feel a little silly, but I wonder if it makes him feel special at
all. Like he's stared down Helena multiple times, bartered with her, taunted
her. She's a god to those people, and she's just an office annoyance to him.
It's so interesting to see these two perspectives clash in this
environment."
I love this so much, it’s exactly the kind of dissonance
that makes this part of the story fun. Trevor’s reaction was bound to slip
eventually, and that moment when he slightly disrespected the goddesses and
made the room freeze? Yeah. That came from exactly this surreal tension you
described.
On the flip side, I’m fascinated by how Juliette must
feel seeing Trevor in her holy space. She’s used to putting up with him
in the office, arguing over forms and LegalSync… but now he’s among her
worshippers and still acts like it’s Tuesday at the office. That dynamic has a
lot of potential, and I’m definitely going to keep playing with it.
"As for Kassandra herself, I was almost as enchanted
with her as Trevor was! God, he's going to get himself into some trouble with
Donnica if he's not careful! Of course, that would depend on whether Kassandra
was into him as well. But I can see why he's so enamored. The gentle, measured
way with which she always seems to carry herself, that serene aura surrounding
her, the way she doesn't even have to raise her voice for even the most unruly
of people to respect her words: All of it is so alluring and admirable. And
then there's how she deflects every question Trevor has that she can't answer,
but she does so in a way that doesn't leave him the least bit frustrated, just
happy to be talking with her. Hell, even Juliette seems to have a special place
in her heart for Kassandra (although, combined with how she feels about the
Kingdom in general, that might be how she feels about all these special
tinies)."
Yes! Another chapter, another tiny mainstay added to the
roster, haha. I’m thrilled that Kassandra landed the way she did. You’re
absolutely right… one of the best ways to showcase a character’s presence is
through the way others respond to her, and Kassandra is clearly beloved
inside the Kingdom. She’s serene but grounded, respected without demanding it.
Writing her has been a joy, and she’ll absolutely be playing an important
(possibly very important) role going forward ;)
And yes… Trevor better tread lightly. Donnica isn’t known
for her generosity when it comes to other women getting close to her tiny man.
(Annabel being the exception, of course).
"Gavin and Lena were way more fun than bureaucrats
have any business being. I loved their constant back and forth, as well as
their differing views on Trevor. Gavin seemed insulted that Trevor was there at
all, let alone that the outsider had the audacity to try to help them with
their problem. Lena seemed much more intrigued with Trevor, which fits her more
laidback, don't worry so much about the rules persona. They also helped to show
just how self-sufficient the tinies there really are."
They were such a blast to write! Funny enough, they were
kind of last-minute additions when I realized I wanted to show just how
structured and self-sufficient life in the Kingdom really is (which I was so
happy to see you point out!) Yes, the tinies worship giantesses, but they also
govern, debate, plan, and bicker like any functioning society. I’m so glad that
came across from their inclusion.
"And Trevor's reaction to realizing that everything
around him was real instead of artificial was handled perfectly. His shock at
this perfectly conveyed how big a deal this was, both personally and
scientifically. Because you went hard at the worldbuilding here, making it very
clear how impossible this would seem to anyone not from the Kingdom and
highlighting just how terrible the real world alternatives were to what the
subjects enjoy. So not only was this an emotional journey that Trevor took us
on, but it also gave us a better understanding of the larger world. I love that
kind of multitasking!"
Ahhh yes, this was the emotional apex of the whole segment… Trevor’s
pure awe as the truth sets in. That the trees are real. That the lake is real.
That everything he thought was simulation or illusion was, in fact, life.
I’m so glad that landed. I rewrote that moment several times trying to get it
just right. His shock needed to feel earned; personal and
world-shattering. Hearing that it worked means a lot!
"This segment really got me thinking, and you even
slipped in the first size content of the chapter at the end there. You sold
Juliette's size in this tiny world masterfully, by the way! Now maybe we'll
find out exactly why Trevor is in the Kingdom in S3, unless Ricci and Vikki
decide to be naughty again (it looks like they're trying to hook Trevor up with
Kassandra?)."
That moment with Juliette’s return was such a fun tonal
shift, playing with her scale in a world that suddenly feels so intimate for
Trevor was both sensual and disorienting in the best way. And yes… you’re
definitely going to learn more in the next segment. In fact, I might’ve held
back on addressing some of your points here because things will start to click
once S3 opens up ;)
As always, amazing review.





Date: July 25 2025 10:33 AM Title: PART 31
Okay, so even though I'm only one segment in, Helena's Kingdom has already left me amazed!
I expected that there would be some sort of tiny city or community on her estate, but I didn't expect that! The fact that they have tiny plant life and and that the sun somehow looks unimpeded by any sort of glass ceiling is impressive enough. But the fact that these tinies are clearly raising families here? That's interesting. It makes sense, given that, unlike the tiny communities of the outside world, these people can pretend that everything is normal for them. This particularly struck me when we saw the lake, as that made me think back to when Amber "collected" Rebecca's old stuff from her former community and how she stepped into that puddle and ruined their swimming hole. The contrast between life in the Kingdom and that existence is extremely stark!
And the cult-like behavior of the residents is very utopian. Creepily so, in fact. And the fact that so many people already knew Trevor's name was a tad unsettling. I mean, it's great that these people are clearly so happy, but the way they went so far out of their way to learn Trevor's name and try to make him feel not just welcome but like an old friend is just so ... unnerving to me.
I'm also wondering what it is that Helena and this organization that may or may not (but definitely does) exist expects out of these people in return for this idyllic life they've been given. Because Helena is certainly no friend to tinies, so why would she do this for them? Why is she so fond of those tinies in particular, when she holds nothing but disdain for every other tiny? Who are these people, and what makes them so special that they get to be the ones that live there?
And who was that woman who emerged from the lake? Based on how Vikki and Ricci were acting, I'm guessing that she's the reason they wanted to bring Trevor here (I knew they were up to something!). But man did she come off as angelic and perfection incarnate here! I'm really feeling eager to find out more about her, even though I might not be able to jump back into this until Saturday.
Oh, and I love what you did describing the estate on the way to the Kingdom. The way the house gave way from its old money feel to a more modern, lab-based design was great! Not only that, but this also makes it pretty clear that all this stuff was installed much later than the older parts of the house. So we can assume that the Kingdom is at least a fairly recent addition to Helena's home.
You know, I theorized a couple chapters ago that Helena wants Donnica to end up with one of these Kingdoms for her to rule over. I can't see it. Donnica would hate this. Whereas Helena enjoys being above the tinies, Donnica more just wants to put them in their place, I think. She can't stand weakness and respects strength, so how would she react if a bunch of tinies go to live out their days in peace and harmony, not having to worry about the realities of their size on a daily basis? Disgusted, that's how.
While Helena relished stepping on the tinies of that trash city and even plucking one up to do God knows what with, Donnica was just happy to imagine that she was the one who ruined their lives and was responsible for putting them there. When Helena picked up that girl, to Donnica it was like picking up a penny from the ground. She doesn't care about lording her dominance over them It's effortless for her. No, she'd hate these tiny freeloaders getting a pass, so I don't see her getting onboard with Helena's agenda at the end of the day.
And while we're talking about Donnica, I loved that bit at the start about Trevor and her discussing the situation. It was said during chapter 29 that Donnica had agreed to let Helena keep Trevor for a while because of this Status-C stuff. I thought that was kind of shitty of Donnica (although we didn't hear her say it, so I wasn't sure if it was true or the circumstances behind it). But to find out that Trevor and she talked this out like a real couple, even considering blowing the whole thing up and ruining Helena was actually surprisingly satisfying to read! Not only does that mean that Donnica still puts more value in Trevor's wants than Helena's persuasive arguments (which makes me feel better about Celine's prediction that Donnica would be made to think like "them"), but that also shows that Donnica hasn't really buried the hatchet with Helena nearly as much as the latter believes.
Also, what is the government doing with tinies? You didn't slip that Status-C loophole about the claim being thrown out past me. Why would the government ever want to own a tiny person, even if they're considered property? Are those tinies auctioned off to help pay off the deficit? Or is the government doing something more nefarious behind the scenes?
I've got my eye on you, Uncle Sam!
Finally, I feel even more confident that Juliette is a member of this secret organization sent to help/watch Helena rather than just some paralegal who Helena has brought into the fold. Her behavior in S1 was that of reverence for the Kingdom. She didn't like that Trevor was being allowed access, not just because she doesn't like him but because she's worried that he'll somehow destroy the tranquility that exists there. And then there was that moment when she almost told Trevor something "real," but didn't end up saying anything. That seemed to be motivated by a warm feeling she got when she laid eyes on the walls of the Kingdom.
I don't know. Her behavior throughout the beginning of the segment all had me feeling this way about her, just like that segment where she was questioning Helena.
Awesome segment! It was so cool to finally see the Kingdom, and again, it greatly exceeded anything I expected. And by a lot, too! Now to jump back in and find out who this mysterious woman is!
Author's Response:
"I expected that there would be some sort of tiny
city or community on her estate, but I didn't expect that! The fact that they
have tiny plant life and and that the sun somehow looks unimpeded by any sort
of glass ceiling is impressive enough. But the fact that these tinies are
clearly raising families here? That's interesting. It makes sense, given that,
unlike the tiny communities of the outside world, these people can pretend that
everything is normal for them. This particularly struck me when we saw the
lake, as that made me think back to when Amber 'collected' Rebecca's old stuff
from her former community and how she stepped into that puddle and ruined their
swimming hole. The contrast between life in the Kingdom and that existence is
extremely stark!"
That was exactly the idea behind introducing the Kingdom.
We’ve spent so long immersed in a world that’s constantly hostile to tinies, so
I really wanted the reveal to hit like a slap… a sudden shift into something
almost dreamlike, a jarring contrast that would land hard. And from your
reaction, I think it did!
"I'm also wondering what it is that Helena and this
organization that may or may not (but definitely does) exist expects out of
these people in return for this idyllic life they've been given. Because Helena
is certainly no friend to tinies, so why would she do this for them? Why is she
so fond of those tinies in particular, when she holds nothing but disdain for
every other tiny? Who are these people, and what makes them so special that
they get to be the ones that live there?"
Ah yes, that’s the question, isn’t it? Could it be that
these little people serve some other purpose beyond simply existing… or maybe
existence is the point? Existence in harmony with some natural order
that Helena believes she’s enforcing.
...And yet, as you said, it does feel like something else
lies just beneath the surface of this so-called paradise. That its existence would have to serve a separate purpose...
"And who was that woman who emerged from the lake?
Based on how Vikki and Ricci were acting, I'm guessing that she's the reason
they wanted to bring Trevor here (I knew they were up to something!). But man
did she come off as angelic and perfection incarnate here! I'm really feeling
eager to find out more about her, even though I might not be able to jump back
into this until Saturday."
LOL! Those two really can’t help themselves. There’s
definitely some scheming going on, though I hope it comes off as more
mischievous than malicious. As for the woman in the lake... I suppose you’ll
just have to wait till Saturday to find out more ;)
"Oh, and I love what you did describing the estate
on the way to the Kingdom. The way the house gave way from its old money feel
to a more modern, lab-based design was great! Not only that, but this also
makes it pretty clear that all this stuff was installed much later than the
older parts of the house. So we can assume that the Kingdom is at least a
fairly recent addition to Helena's home."
Yes, exactly, it's meant to feel like something bolted onto
an older legacy, an evolution that diverged from the original intent of the
estate. However, given that the mansion is likely over a century old, the
Kingdom could’ve been added at any point in the last few decades… but it’s
definitely newer. That contrast matters.
"And while we're talking about Donnica, I loved that
bit at the start about Trevor and her discussing the situation. It was said
during chapter 29 that Donnica had agreed to let Helena keep Trevor for a while
because of this Status-C stuff. I thought that was kind of shitty of Donnica
(although we didn't hear her say it, so I wasn't sure if it was true or the
circumstances behind it). But to find out that Trevor and she talked this out
like a real couple, even considering blowing the whole thing up and ruining
Helena was actually surprisingly satisfying to read! Not only does that mean
that Donnica still puts more value in Trevor's wants than Helena's persuasive
arguments (which makes me feel better about Celine's prediction that Donnica
would be made to think like 'them'), but that also shows that Donnica hasn't
really buried the hatchet with Helena nearly as much as the latter
believes."
Yeah, I really wanted to re-center Trevor and Donnica’s
relationship here… to remind everyone that, yes, they are still a couple
beneath all the status wrangling and size play and domination. It felt
important to show that they’re still talking, still making decisions together,
even if the circumstances are murky.
As for why they’re going ahead with it… I don’t think it’s just
the Status-C State claim. That was the final push, but there’s a fog of
uncertainty around what Helena can or would do if they pushed back. It’s a legal
grey area they are eager to exit, and they think playing ball is the quickest way
to make that happen.
As for the conversation that happened off screen (page?) between Helena and Donnica, that is interesting, I wonder what was actually said there...
"Finally, I feel even more confident that Juliette
is a member of this secret organization sent to help/watch Helena rather than
just some paralegal who Helena has brought into the fold. Her behavior in S1
was that of reverence for the Kingdom. She didn't like that Trevor was being
allowed access, not just because she doesn't like him but because she's worried
that he'll somehow destroy the tranquility that exists there. And then there
was that moment when she almost told Trevor something 'real,' but didn't end up
saying anything. That seemed to be motivated by a warm feeling she got when she
laid eyes on the walls of the Kingdom."
Oh yeah… Juliette is absolutely more than just a
paralegal. You’re picking up exactly the right threads. There’s something
deeper going on with her, something tightly woven into Helena’s world… and the
Kingdom.
"Awesome segment! It was so cool to finally see the
Kingdom, and again, it greatly exceeded anything I expected. And by a lot, too!
Now to jump back in and find out who this mysterious woman is!"
Thank you! Like I mentioned in our DMs, S1 and S2 are really just two halves of the same sequence, so once you’re into the second part, I think a lot more will come into focus. That’s also why I held back on replying to some parts of the review, figured I’d wait till you’d seen the rest!
I’m thrilled you enjoyed it though. And hey, I may not be able to tease you about the Kingdom anymore… but I promise I’ll find something else to dangle in front of you soon ;)





Date: July 25 2025 4:30 AM Title: PART 31
Well shit I was not expecting all that when you first started mentioning The Kingdom in past chapters. Very much a utopia compared to the shanty towns Domica and Helena had ravaged in chapters past, I am now curious what lead Helena to be well...human towards these people versus her usual disdain for tiny folks she comes across. I do wonder also if they know what her tootsies get up to with outside tinies or from what I gather they're likely shielded from her more dark tendencies.
Not sure whom the woman of the water was but I initially thought it was Celine free of her cage and allowed to be human for awhile. I could be wrong but I still do kind of think it might be her even if he would've instinctively recognized her if it was.
Not sure what the secret project is but knowing Helena it is likely something nefarious to keep him busy whilst he is there and out of trouble. Well yes out of trouble and away from Celine until he goes back to Domica and out of their lives likely forever.
----
Trevor mentioning Helena's name so casually reminded me of the scene in Gravity Falls where Dipper mentioned reality in the bubble Bill built for Mabel and everything turned insanely dark and gnarly.
The pure joy of Vikki and Rikki is always appreciated, a wonderful dose of rainbows in an otherwise bleak world.
Even in a woman made utopia you can't escape bureaucratic nonsense.
I'm not sure if Helena somehow has developed tech to actually -shrink- organic things or at least rebuild their compounds at a smaller rate but if she has this level of tech her trying to suck up to Domica makes less sense if she can make a killing just by selling this stuff to wealthy buyers and even smaller home owned tiny keepers.
The scene with Juliette as always was some of the most incredible foot-centric writing I've ever seen of this site. The humble, blind, unwavering devotion to the mere scent of her unshod dogs was just a beautiful thing to witness. I would have guessed given whom Trevor belongs to and lives with he'd have appreciated such a showing.
I now also wonder how newbies Elric has had to break in for the Goddesses.
---
Expanding the Kingdom surely seems like something Trevor in principal would be opposed to as it being Helena and her heavy handed approach to tinies usually isn't the best. Buuuuut given how amazing things are I'd venture to guess he'd be happier with a scant few ending up here than under her reeking dogs.
The Rainbow Connection really seems to both love Celine deep down but understandably are afraid to show it given the above mentioned heavy handedness but also want Trevor and Kass to become a thing. Which given how overbearing Domica and others have been and can be with him I can understand if he found that potential pairing appealing. Though I wouldn't question his dedication to Domica and Anna given how he turned down the free water slide just now.
Speaking of which Vivara is a true work of art ruling over the tinies with loving care in her grotto or bay of figs with the loving care of a mother of sorts. Her being so wholesome with Ricci/Nikki warms my heart immensely since it's nice to see them have a bit of love given how their pasts went and who they ultimately answer to. I would also be lying if I said the fact that Vivara is a goddess to these folks but Helena could wipe her out with her big toe to be incredibly, incredibly hot.
I almost forgot to give praise to the wholesome moment between Trevor and The Rainbow Connection. It was lovely to see him embrace them when they needed it.
---
I firmly believed Connor was writing a paper about Helena's greatness or one of the other goddesses. The relaxed work schedule and what Kass said later on really makes me think beneath the absolute monster that is Helena she isn't -all- bad...absolutely horrible but not to everyone.
Kass really makes an incredible point given how Domica sometimes treats him, sure she is not as overbearingly power hungry as Helena seems to be with her utopia and quest for absolute rule but she still asserts her power a metric fuckton over him whenever she can. Strangely the one really strong giant/tiny relationship that seems brewing is between the sassy kidnapped woman subjected to the agony of de-feet for weeks and the girl who while still bratty seems to grow as a person due to her kidnapee each time we see her.
It is a long shot BUT I could somehow see a future where Trevor and even Becca eventually join the Kingdom or at least visit it frequently. But not as subjects but as guests in a somewhat liberated utopia where the rule is softened a bit and -outsiders- no longer are considered a terrible thing but merely a welcome stop over.
---
Another incredible scene of worship you've crafted here, few big ladies or folks I've seen can match Helena's level of self appointed grandeur. I fully understand why she feels the way she does towards tinies given they can't fight back against her love or view of herself a higher being but she's really taken to this goddess thing like she was waiting for it to happen...who knows perhaps she somehow created the virus or greatly funded it.
Kass taking a shine to Trevor seems fair given how much they seem to have hit if off as he with them, he seems to do incredibly well around other tinies thus I can see Helena's worry. She doesn't want discourse or rebel rousers sullying the reverence she's crafted through fear and absolute rule. Trevor represents everything she hates about the wee folk and their quest to be seen as equals. Which really makes her headbutting Domica even weirder since outside of Trevor they really are the same person deep down, loving to a few or those close but smushing the tiny rights movement and the tinies themselves into toejam.
As for the Firebird, I suspect she might have more Celine in her despite her current arrangements. Who knows if she'll eventually break but if three days in the cave haven't yet I have a sliver of faith in her chances to not end up like the rest in the Kingdom.
---
The Kingdom greatly reminds me of the Horizon franchise when they needed to bring all of Gaia's subordinate functions back under her control to fully rebuild the world that had been utterly ravaged. This world wasn't ravaged by giant machines but painstakingly built by one woman and her likely large bank account and workforce.
The fact that Juliette and possibly other giants can fit inside and NOT destroy the ground proves her skill set and reach clearly could give Domica a run for her money if she were to make an attempt at the HBIC.
Kass was a wonderful addition, even with the reverence for Helena she reminds me a little of Becca early on but instead of being headstrong against the larger folks she accepted her fate and chooses to try her best to help change things for the better for her people as much as she is capable of.
Ricci/Vikki are always wonderful and Vivara(whom I much like The Rainbow Connection might have misjudged her size range) seems a harmless lovely distraction for the people who really know nothing over than seemingly being wholesome, caring folks whose only real flaw is their worship and love was manufactured to center around an objectively petulant woman with a goddess complex and ego the size of Texas.
As for what comes next I still see Trevor/Becca/Domica and even Helena somehow coming to an understanding forged by a lot of hard work. It won't be as loving as Scarlet/Becca/Amber but it'll be a -big- step forward for somebody like Helena and honestly maybe even Domica.
I'd be lying though in saying that the thought of Amber finding and -introducing- herself to the Kingdom folks kind of hot though...with all due respect to those fine folks of course.
Author's Response:
"Well shit I was not expecting all that when you first started mentioning The Kingdom in past chapters. Very much a utopia compared to the shanty towns Domica and Helena had ravaged in chapters past, I am now curious what lead Helena to be well...human towards these people versus her usual disdain for tiny folks she comes across. I do wonder also if they know what her tootsies get up to with outside tinies or from what I gather they're likely shielded from her more dark tendencies."
It really is a hell of a shift, huh? The Helena we’ve come to know has been nothing but cruel, indifferent, domineering, almost primal in how she sees and treats tinies. Her and her girls are tribal in every sense. But here? Inside the Kingdom, under her name, there’s a whole different face. So peaceful, so orderly, even reverent. It’s hard to say what’s behind it… true compassion? A long con? Something she believes is owed only to a select few?
"Not sure what the secret project is but knowing Helena it is likely something nefarious to keep him busy whilst he is there and out of trouble. Well yes out of trouble and away from Celine until he goes back to Domica and out of their lives likely forever."
It definitely seems like Helena’s trying to keep him out of the way, especially away from Celine. Whether it’s nefarious or just strategic distancing is up for debate, but the fact that she keeps putting space between them feels deliberate. Maybe it is something dark and calculated. Or maybe it’s philosophical… Helena doesn’t see Trevor as “worthy” of the Kingdom the way she sees others. He’s still an outsider to her, despite his usefulness. We’ll definitely be digging into that question more as things progress.
"I'm not sure if Helena somehow has developed tech to actually -shrink-
organic things or at least rebuild their compounds at a smaller rate but if she
has this level of tech her trying to suck up to Domica makes less sense if she
can make a killing just by selling this stuff to wealthy buyers and even
smaller home owned tiny keepers."
If this was all about profit, and she had the tech to shrink ecosystems or reconstruct nature on a smaller scale, she could be richer than Donnica ten times over. So why isn’t she selling? Why chase Donnica’s favor at all? It suggests money isn’t the real prize here. Either Helena wants something else from Donnica (something intangible) or maybe she’s after power in a form Donnica holds and Helena can’t replicate. And whatever it is, it definitely isn’t Trevor. (Lol.)
"The scene with Juliette as always was some of the most incredible
foot-centric writing I've ever seen of this site. The humble, blind, unwavering
devotion to the mere scent of her unshod dogs was just a beautiful thing to
witness. I would have guessed given whom Trevor belongs to and lives with he'd
have appreciated such a showing."
Man, that scene was a blast to write. Not just Juliette’s feet (though obviously, yes, her feet) but the scale of it. Seeing her enter this perfectly manicured tiny world and shatter the illusion just by existing. Her bare foot alone becomes a deity. I totally agree that Trevor, under different circumstances, might have been way more into it. But here, he’s caught off guard. Everything about the Kingdom has been so strange and disarming... Juliette showing up like that was a gut-punch, not an invitation. That doesn’t mean he wasn’t tempted, though, I’m sure. He was mainly being guarded.
"I now also wonder how newbies Elric has had to break in for the
Goddesses."
Right? That guy radiates zealot energy. The Kingdom might look wholesome on the surface, but men like Elric remind us that there might be something else bubbling underneath...
"Expanding the Kingdom surely seems like something Trevor in principal
would be opposed to as it being Helena and her heavy handed approach to tinies
usually isn't the best. Buuuuut given how amazing things are I'd venture to
guess he'd be happier with a scant few ending up here than under her reeking
dogs."
Such a great point. Trevor definitely doesn’t trust Helena, he’s been burned
too many times. But this place? It’s blowing his mind. I think right now, more
than resisting or endorsing the expansion, he’s just overwhelmed and trying to
make sense of it. He’s in awe, but he’s also suspicious. And let’s be honest… Vikki
and Ricci could probably talk him (or anyone) into just about anything.
"The Rainbow Connection really seems to both love Celine deep down but understandably are afraid to show it given the above mentioned heavy handedness but also want Trevor and Kass to become a thing. Which given how overbearing Domica and others have been and can be with him I can understand if he found that potential pairing appealing. Though I wouldn't question his dedication to Domica and Anna given how he turned down the free water slide just now."
I love this take. Vikki and Ricci are definitely playing matchmaker, whether
consciously or not. It’s adorable watching them push Trevor toward Kassandra,
even if it’s just playful for now. And you’re right: Trevor’s loyalty to
Donnica and Annabel is very real. He’s probably not going anywhere. But
that doesn’t mean he’s immune to being swept up in something new… something
safe. Something a little too perfect.
"Speaking of which Vivara is a true work of art ruling over the tinies with loving care in her grotto or bay of figs with the loving care of a mother of sorts. Her being so wholesome with Ricci/Nikki warms my heart immensely since it's nice to see them have a bit of love given how their pasts went and who they ultimately answer to. I would also be lying if I said the fact that Vivara is a goddess to these folks but Helena could wipe her out with her big toe to be incredibly, incredibly hot."
Just to clarify (and you caught this later) Vivara is the same size as Helena, definitely a full-fledged goddess in scale. But I totally get how her energy could make her feel softer, and by extension a little smaller. I’m glad the affection she shows Ricci and Vikki came through, I really wanted to give them that warmth. And yeah... the power gap between even goddesses is deliciously charged.
"I almost forgot to give praise to the wholesome moment between Trevor
and The Rainbow Connection. It was lovely to see him embrace them when they
needed it."
Right?? The bond forming between them is such a joy to explore. Vikki and Ricci
are shameless flirts, but there’s something earnest underneath. They need
someone like Trevor, and he’s exactly the kind of guy who can see past the
glitter to the people inside. If only they could successfully ship him off to
their favorite (tiny) person in the whole Kingdom...
"I firmly believed Connor was writing a paper about Helena's greatness
or one of the other goddesses. The relaxed work schedule and what Kass said
later on really makes me think beneath the absolute monster that is Helena she
isn't -all- bad...absolutely horrible but not to everyone."
Yeah, there’s a strange duality forming around Helena,
right? It’s like she’s capable of horrifying cruelty and divine grace,
depending on who she’s looking at. The Kingdom isn’t just a place… it’s a
reflection of that contradiction. She’s brutal with “outsiders,” but within the
dome, she fosters something genuinely beautiful. The question is: is that mercy,
love, control?
Or is it something else entirely...
"Kass really makes an incredible point given how Domica sometimes treats him, sure she is not as overbearingly power hungry as Helena seems to be with her utopia and quest for absolute rule but she still asserts her power a metric fuckton over him whenever she can. Strangely the one really strong giant/tiny relationship that seems brewing is between the sassy kidnapped woman subjected to the agony of de-feet for weeks and the girl who while still bratty seems to grow as a person due to her kidnapee each time we see her."
Yeah, that exchange between Trevor and Kassandra really helped ground some of
the bigger philosophical ideas swirling through this arc. And your take on Amber and Rebecca
is dead-on… what started as one dynamic is shifting. Amber might’ve been the
would-be “breaker,” but Rebecca’s influence is shaping her into something more. Something softer. It’s unexpected, but kind of beautiful.
"Another incredible scene of worship you've crafted here, few big ladies or folks I've seen can match Helena's level of self appointed grandeur. I fully understand why she feels the way she does towards tinies given they can't fight back against her love or view of herself a higher being but she's really taken to this goddess thing like she was waiting for it to happen...who knows perhaps she somehow created the virus or greatly funded it."
Right?? If there’s anyone with a god complex big enough to manifest a virus just to justify it… it’s Helena. She’s loves power. And yet, what’s fascinating is how genuine she seems in the Kingdom. Like she’s not just playing a role… she believes it. There’s a twisted sort of love there, but only for those who submit completely. It’s terrifying... and yes, maybe just a little hot. (Definitely a little hot!)
"Kass taking a shine to Trevor seems fair given how much they seem to
have hit if off as he with them, he seems to do incredibly well around other
tinies thus I can see Helena's worry. She doesn't want discourse or rebel
rousers sullying the reverence she's crafted through fear and absolute rule.
Trevor represents everything she hates about the wee folk and their quest to be
seen as equals. Which really makes her headbutting Domica even weirder since
outside of Trevor they really are the same person deep down, loving to a few or
those close but smushing the tiny rights movement and the tinies themselves
into toejam."
I appreciate the comments here! I'm glad Trevor and
Kassandra come off as having... something between them. What that is exactly is
still up in the air, but I definitely wanted there to be an immediate
connection between them, so I’m glad that came through! We’ll see what
direction it takes in the next few chapters ;)
And yeah, Helena and Donnica were actually getting along
pretty well up until the ass-worshipping chair incident in CH25. That
definitely blew things up. But before that? Donnica seemed totally fine with
keeping her around… even shooting down Trevor’s complaints about her more than
once. I think you’re absolutely right: Helena and Donnica might be more alike
than Donnica wants to admit. Maybe now that things are cooling down again,
they’ll start to drift closer... or at least tolerate each other a little more.
"The Kingdom greatly reminds me of the Horizon franchise when they needed to bring all of Gaia's subordinate functions back under her control to fully rebuild the world that had been utterly ravaged. This world wasn't ravaged by giant machines but painstakingly built by one woman and her likely large bank account and workforce. The fact that Juliette and possibly other giants can fit inside and NOT destroy the ground proves her skill set and reach clearly could give Domica a run for her money if she were to make an attempt at the HBIC."
I haven’t played Horizon but damn, that comparison seems applicable ;) The
Kingdom really is a feat of engineering and obsession… something so precise and
beautiful that it almost defies belief. But the real question is: who actually
built it? Helena seems to rule it, but we’re starting to see cracks in her
understanding. She cant expand it and had Trevor take a look at the ‘Seed Code’
so she’s probably not the mind behind the miracle...
I wonder who is…
"Kass was a wonderful addition, even with the reverence for Helena she reminds me a little of Becca early on but instead of being headstrong against the larger folks she accepted her fate and chooses to try her best to help change things for the better for her people as much as she is capable of."
Thank you so much for saying that. Kassandra was such a delicate thread to
introduce. She does have a bit of the strong will of the other central tiny characters in her; strong, but
careful. Not combative, but not entirely blind either. Her reverence might
actually be genuine, with a hint of something else. Either way, she wants to
help... I think.
"As for what comes next I still see Trevor/Becca/Domica and even Helena somehow coming to an understanding forged by a lot of hard work. It won't be as loving as Scarlet/Becca/Amber but it'll be a -big- step forward for somebody like Helena and honestly maybe even Domica."
Ooh I love this prediction. Trevor, Rebecca, Donnica and Helena. That’s a hell of a foursome to imagine
aligned… even tentatively. However, I think Rebecca’s a little too wrapped up
in the Amber/Scarlett orbit right now to make that trip... but stranger things
have happened.
"I'd be lying though in saying that the thought of Amber finding and
-introducing- herself to the Kingdom folks kind of hot though...with all due
respect to those fine folks of course."
Oh god. Amber’s stinky, sweaty size nines crashing through this idyllic Eden? The Kingdom’s worship protocols would explode. Half the residents would bow. But the other half would faint. Lol
Love the review man, thanks as always!





Date: July 23 2025 8:57 PM Title: PART 31
What an interesting chapter with some questions answered and so many new ones.
The beginning with Trevor being on the palm of Juliette gives me the image of
Sun Wukong being trapped on Buddha’s hand. This image gives even more power and
deity presence to Helena and her girl, Juliette is not portrayed as just a
regular giantess, but as a goddess who rules this place and Trevor is nothing
compared to her, just an object she has to carry on the order of Helena. For
her, Trevor is nothing more than a boring bug.
Something I also enjoy is all the process for giving back Trevor to Donnica,
it’s so messed up to see the amount of effort for a single Status-C while there
are so many other tiny beings captured, tortured, crushed, or sold, probably
because the Status-C makes the tiny a giantess’s property. I also loved the
determination of Donnica, being ready to ruin Helena for Trevor if that doesn’t
mean losing him to the hands of the state.
So, the only solution is to follow the rules and have Trevor spend a lot of
time in the estate of Helena. Until all the procedure is done and he is
Donnica’s tiny forever.
But for now, he is going to discover the secret of this new place called the
“Kingdom”. The most kept secret of Helena, and after walking for a long time in
the estate, I want to say the work on the description is perfect, it’s almost
like we’re Trevor and we discover it at the same time as him. And the details
like the magnetic key to open the door make it even more intriguing, making us
imagine so many theories about this Kingdom and why it has to be so protected.
And even more mystery comes to us when Trevor and Juliette enter a place full
of vegetation. Why in a palace is there that? And finally, our questions will
be answered when Juliette puts Trevor into a place so he could join Ricci, so
she could explain what they want from him. And the first thing interesting is
the difference between Juliette, who is cold, almost doesn’t speak, and acts as
a goddess, and Ricci, who is so friendly, full of energy, and speaks so much.
Even with the way they walk, we can see the difference, Juliette is walking
slowly (for a giantess) with high heels, while Ricci is running with her little
sandals.
And finally, we discover what the Kingdom is, an entire world but for tiny people where it looks like paradise, with an entire environment like they never shrank, a place where the virus seems to not even exist. With every detail thought to be perfect to make sure there is no difference between the real world and the Kingdom, even the sky and the sun seem to be natural.
And in the middle of that piece of heaven, there are people who live like
people, not tiny, they have houses, families, and even children. And these
people, when they see Trevor it was like they see an old friend, it was like he
has always lived here, but no.
The most surprising is the calm of the people, they’re not scared, they just
enjoy their life, children can play, joke be like children.
And the best thing about it is there is no money, that makes it the perfect
place.
And all this segment continues showing how perfect the Kingdom is, at least
from the view of Trevor, it’s beautiful, the atmosphere looks so real, the
people are kind and not afraid like so many tiny outside this place. And after
a little while, Vikki joins them, and the duo is together again and damn. What
a perfect duo, so much energy, so much fun.
And while they continue the visit, we can feel like this place is meant to look
like a paradise. This place even has a river, so people can just enjoy it. It’s
the perfect paradox with the world we’ve known, with tiny people living in dire
situations, being the toys of giantesses, except for the ones who are lucky
enough to be rich, but it’s just a small part, most of them only survive, while
this place allows them to live a normal life. And to end this first segment, we
have a new tiny, unnamed for now, but who seems to interest Trevor. After
Celine, is our little protagonist switching sides?
In conclusion, this first segment is incredible, with so many incredible
descriptions of the different places, especially the Kingdom, everything makes
it look like a paradise, not something we see often for places reserved for
tiny people in DAW. And also the characters, with the cold Juliette and our two
little suns, Vikki and Ricci, it’s amazing to follow this segment and this new
little tiny who looks interesting.
Author's Response:
"The beginning with Trevor being on the palm of
Juliette gives me the image of Sun Wukong being trapped on Buddha’s hand. This
image gives even more power and deity presence to Helena and her girl, Juliette
is not portrayed as just a regular giantess, but as a goddess who rules this
place and Trevor is nothing compared to her, just an object she has to carry on
the order of Helena. For her, Trevor is nothing more than a boring bug."
Wow, I never imagined I’d get a Buddha comparison,
but that’s incredible… and now that you’ve said it, I totally see it! I love
the way you frame it: Helena as the goddess, revered by her chosen few, and
Trevor just a mortal being ushered through sacred space by a divine hand.
That’s the exact energy I was going for. I’m so glad it came across that way!
"Something I also enjoy is all the process for
giving back Trevor to Donnica, it’s so messed up to see the amount of effort
for a single Status-C while there are so many other tiny beings captured,
tortured, crushed, or sold, probably because the Status-C makes the tiny a
giantess’s property. I also loved the determination of Donnica, being ready to
ruin Helena for Trevor if that doesn’t mean losing him to the hands of the
state."
So glad this landed with you! The Status-C system is a
massive thematic anchor for this entire arc, so hearing that it clicks (and
feels appropriately intense) is really affirming. It’s the very reason Trevor
is even at the estate, and the legal/ethical weight behind his transfer
is something I try to make feel heavy.
"But for now, he is going to discover the secret of
this new place called the “Kingdom”. The most kept secret of Helena, and after
walking for a long time in the estate, I want to say the work on the
description is perfect, it’s almost like we’re Trevor and we discover it at the
same time as him. And the details like the magnetic key to open the door make
it even more intriguing, making us imagine so many theories about this Kingdom
and why it has to be so protected. And even more mystery comes to us when Trevor
and Juliette enter a place full of vegetation. Why in a palace is there
that?"
Ahhh this makes me so happy! The intro to S1 went through a lot
of rewrites to nail that sense of scale-shifting wonder. I really wanted
readers to feel like they were stepping through that door with Trevor… and that
something monumental was happening. Huge props for noticing the magnetic key
detail! That was my little signal that this wasn't just a physical space, but a
locked vault of something sacred. And yeah, the smell of plant life... the
quiet strangeness of it... it’s all meant to build the suspense breath by breath.
"And finally, our questions will be answered when
Juliette puts Trevor into a place so he could join Ricci, so she could explain
what they want from him. And the first thing interesting is the difference
between Juliette, who is cold, almost doesn’t speak, and acts as a goddess, and
Ricci, who is so friendly, full of energy, and speaks so much. Even with the
way they walk, we can see the difference, Juliette is walking slowly (for a
giantess) with high heels, while Ricci is running with her little sandals."
Haha YES. Juliette is ice. Ricci is pure sunshine. I wanted
the tonal shift between them to feel immediate and jarring, like the story
itself took a breath and exhaled something new. The cold silence of Juliette
walking in heels, then BAM! Ricci’s chaos with her bouncing sandals and
constant chatter. It was meant to feel like you crossed from temple to circus.
(And let’s be honest, Ricci definitely looks adorable in those little sandals.)
"And finally, we discover what the Kingdom is, an
entire world but for tiny people where it looks like paradise, with an entire
environment like they never shrank, a place where the virus seems to not even
exist. With every detail thought to be perfect to make sure there is no
difference between the real world and the Kingdom, even the sky and the sun
seem to be natural.
And in the middle of that piece of heaven, there are people who live like
people, not tiny, they have houses, families, and even children. And these
people, when they see Trevor it was like they see an old friend, it was like he
has always lived here, but no.
The most surprising is the calm of the people, they’re not scared, they just
enjoy their life, children can play, joke be like children.
And the best thing about it is there is no money, that makes it the perfect
place."
Yes! That’s exactly the sensation I was hoping for, that the
Kingdom would feel like a full alternate reality, not just a fancy habitat. A
place where being tiny isn’t a curse, where life can unfold naturally, as if
the virus never touched them. I love that you highlighted the reaction
of the people seeing Trevor, familiar, not fearful. That peaceful, sun-washed
communal vibe was key to selling the illusion of utopia. And yes, no money plus
the occasional barefoot giantess strolling nearby… sounds like paradise to me :D
"And while they continue the visit, we can feel like
this place is meant to look like a paradise. This place even has a river, so
people can just enjoy it. It’s the perfect paradox with the world we’ve known,
with tiny people living in dire situations, being the toys of giantesses,
except for the ones who are lucky enough to be rich, but it’s just a small
part, most of them only survive, while this place allows them to live a normal
life."
Exactly. I wanted that contrast to feel violent in
its emotional weight. We’ve seen Trevor’s compound, Rebecca’s compound, the
Cardboard Town… and none of them were kind. They were bleak at best. Then
suddenly, we walk into this. A hidden paradise. An illusion, perhaps.
But a beautiful one. I hoped the extremity of it would really shake the
reader’s perception of what this world could be. And based on your response, it
worked!
"In conclusion, this first segment is incredible,
with so many incredible descriptions of the different places, especially the
Kingdom, everything makes it look like a paradise, not something we see often
for places reserved for tiny people in DAW. And also the characters, with the
cold Juliette and our two little suns, Vikki and Ricci, it’s amazing to follow
this segment and this new little tiny who looks interesting."
This whole segment review made my day! And “our two little
suns” is such a sweet and perfect description for Vikki and Ricci. I’m thrilled
you connected with the worldbuilding and the character contrasts so deeply.
This arc has been such a joy to write thus far… getting to expand the lore,
introduce some bright new personalities, and send Trevor on this odyssey… it’s
been a blast!
And more to come!





Date: July 22 2025 12:56 AM Title: PART 31
Perfect as always, and i love this chapter, especially the talk between Kassandra and Trevor it's interesting on a philosophical aspect.
Author's Response:
Perfect review, as always ;)
I love that you called out Kassandra and Trevor’s chat near the end, that scene was such a blast to write. Their meeting started so smoothly, then veered into tension once the real issues came up. Watching them lock horns while still respecting each other? That’s the good stuff. And honestly, I think they both made fair points.
Which side you land on probably says a lot about what kind of tiny you are :D
Date: July 22 2025 12:14 AM Title: PART 31
If I was Trevor I would stay with Vivara. :)
I’m curious if a lot of the subjects were brainwashed into being loyal to Helena.
Great Chapter!
Author's Response:
Vivara really does feel like the kind of goddess you could surrender to forever, doesn’t she?
The brainwashing question is a good one. Some of the tinies seem a bit more clear-eyed, others are almost... entranced. Maybe it’s a spectrum of pure devotion, or maybe there’s something deeper threading through their minds. Hard to say... yet ;)
Thank you for the kind words!





Date: July 21 2025 11:06 PM Title: PART 31
Holy moly that was a lot to take in and very interesting POV of beliefs and values of this world
can’t wait for more information on this kingdom and seed
nice work on world building
Author's Response:
Hey there!
Worldbuilding on this kind of scale isn’t something I usually do, up until now I’ve kept things more grounded in reality (well, as close to reality as size-fetish erotica will allow lol) But to keep the story’s momentum and really let the narrative breathe, it felt like the right moment to crack things wide open.
There’s definitely a lot more to come about The Kingdom... way more.
Appreciate you dropping in :)





Date: July 20 2025 3:15 AM Title: PART 30
The memory lingered even now. Amber’s voice had been sharp with protective anger, her eyes dark with worry.
This line really stuck out to me because of its duality. That protective anger and those eyes dark with worry evoked in my mind a feeling of angry possessiveness based in love with Amber, something you confirmed in the next paragraph when you mentioned the master and slave thing and how erotic Rebecca found her scolding. I just thought that there was a really nice blend of that darkness lingering inside Amber and the love she has for Rebecca mixed into those particular descriptions!
I also thought Rebecca saying that she won't do something similar "next time" was interesting. Would she really consider doing another pageant? I guess, despite everything, maybe part of her enjoyed the experience (or maybe just the ovation she got during the People's Princess competition).
The most significant part of this chapter, though, was Scarlett's realization. I love the way it came about, with Scarlett about to politely acknowledge but ignore Rebecca's encouraging words, only for them to help her see that everything Rebecca put herself through was for her. It wasn't some grand reveal or accidental tell that Rebecca gave off; it was completely random, and, in this instance, it was perfect!
I was hoping that Scarlett would realize what Rebecca did for her, but this was so much more than that. Scarlett, through this revelation, realized that her whole understanding of love all this time had been completely wrong. It was laid out so nicely when she thought about how love wasn't about gestures, words, or gifts: Those things are about attention. Real love isn't about that at all!
Rebecca's actions moved Scarlett so much not only because the tiny princess was trying to show her the importance of perseverance or that her hard work can pay off, but because Rebecca never once said any of that. Rebecca didn't do this to show Rebecca her feelings or to get credit for it, she did it because she cares. It wouldn't have mattered to Rebecca if Scarlett never found out her reason for doing what she did; all she wanted to do was help someone she loved.
That's such a deep, thoughtful concept for Scarlett to grasp, and referring to it as "the edges of childhood starting to wear away" was a perfect way to describe it. Because this wasn't some youthful infatuation or a false feeling of love caused by Rebecca doing something nice for her; it was a realization of how Rebecca really feels about her and understanding her own feelings at the same time. Because we already saw hints of Scarlett liking Rebecca back when they first met: Scarlett's intense nerves when they first talked, her shock and appreciation for Rebecca covering for her little masturbatory session at Amber's desk, and Scarlett's own microsexualism, not to mention Rebecca stepping up and helping her with that Verdanne application as mentioned back in S1, as well as how invested Scarlett became in Rebecca's pageant efforts in S1 and S2.
It's felt as though there was a connection between the two of them from the start (Rebecca described Scarlett so sensually during that masturbatory scene and again during the wet dream in S3), and Scarlett finally realizing that Rebecca loves her (even if she can't admit it yet; more on that in a minute) made it easy for Scarlett to admit to herself that she loved Rebecca back. Feeling loved like that is pretty hard to resist, after all.
But I really like how you inserted Rebecca pushing her own feelings aside and dismissing Scarlett as "a kid, swept up in something tender and impulsive, caught in the magic of the day." Because Scarlett's part of the narrative made very clear that this wasn't what was happening with her. It makes sense that Rebecca would take it this way, though. It's sometimes easy to forget that she's, what, 32? It's easy sometimes to think someone so much younger than you doesn't understand what they're feeling, but in this instance, I think Scarlett fully understands, which made this segment so exciting!
Of course, Rebecca trying to dismiss this whole thing is also a matter of convenience. She's with Amber, and having Scarlett reciprocate those feelings that Rebecca doesn't want to admit she has for Scarlett would certainly complicate things with Amber.
And yeah, we know that Rebecca feels that way. It was clear throughout S2 (and hinted at from the start, like I pointed out above), but this line pretty much confirms it:
Rebecca blinked. Her whole body felt hot. She curled inward slightly, caught between confusion and something she didn’t want to name. A yearning she wasn’t ready to address. A disappointment she didn’t want to acknowledge.
I have a feeling that the day when Scarlett's feet don't gross her out isn't too far in the future. The question now is what this means for the three girls, both as individuals and as a group.
You teased in your response to my S2 review that it could be something unique to mixed-sized relationships, as opposed to the love triangle or three-way relationship most people are predicting. That's really interesting, because I'm not sure what that means. The only thing I can think of is that they might end up sharing Rebecca, which could be super fun! I could see the two girls deciding this without consulting Rebecca, because, by that point, they both know that she would not only want that but be driven wild by being treated that way (the only way I could see Scarlett agreeing to do that).
But again, that could just be wishful thinking on my part. In fact, I'm pretty sure what actually transpires is going to be a lot more dramatic and tense than that!
Speaking of Amber possibly sharing Rebecca, that sure was a possessive way to end the segment and chapter, wasn't it? Rebecca getting hot and bothered by Scarlett's wet dream (I think we all know who she was thinking about) was pretty hot, but the shock of seeing Amber looking down at her was great! And I don't think it was a coincidence that Amber chose that moment to start the master-slave stuff back up (although maybe they've been doing it in the bedroom this whole time and just not doing it in the real world? I don't know).
But yeah, it seems likely to me that Amber caught Rebecca looking and used her role as master to remind Rebecca of who owned her and how much the tiny woman loved being owned by such a dominant goddess. That look that was a blend of reverence and cruelty was interesting, and I think that was a combination of her showing her love for Rebecca and that she was upset that her girl was looking at someone else like that.
Still, even with Amber being so dominant here, she waited until she got consent from Rebecca before lowering her toward her womanhood. A "Yes, master" is still a yes. That's a change from the limo scene, so it's good to see that Amber is still backing off from forcing her will entirely upon Rebecca like that. And Rebecca ... well, she had a good time for sure! I did, too! That scene was really fucking hot!
And those last lines about Scarlett were the perfect way to bring the chapter home. Knowing that Rebecca's cries of pleasure were echoing in Scarlett's erotic dreams brought a smile to my face.
The poor girl needs a win too! I didn't realize she had gone through a bad breakup (I'm assuming she was dating a tiny, given her sexuality). I almost forgot to mention that. Yeah, the other stuff in her bad year, the move and the Verdanne rejection, sucked too, but knowing that Scarlett was still hurting from the end of a relationship makes me want to root for her even more. I'd even venture a guess that such heartbreak helped her realize that epiphany about love and Rebecca!
And The Kingdom of Helena?! But ... but I thought the kingdoms weren't a thing. That they were a lie. You said! Don't you fucking tease me! Woooooo!
Er, um, yeah, I'll be eagerly anticipating the next chapter on Monday.
Author's Response:
"I also thought Rebecca saying that she won't do
something similar 'next time' was interesting. Would she really consider doing
another pageant? I guess, despite everything, maybe part of her enjoyed the
experience (or maybe just the ovation she got during the People's Princess
competition)."
I think it was more along the lines of her thinking: that next
time she senses trouble, she won’t push her luck so far. But hey, I’ve been
getting a lot of positive feedback on the pageant… so who knows? Maybe
Rebecca will be forced into another one somewhere down the line :D
"I was hoping that Scarlett would realize what
Rebecca did for her, but this was so much more than that. Scarlett, through
this revelation, realized that her whole understanding of love all this time
had been completely wrong. It was laid out so nicely when she thought about how
love wasn't about gestures, words, or gifts: Those things are about attention.
Real love isn't about that at all!"
I love seeing that this is how it landed for you! And I
totally smiled when you mentioned in your last review that you hoped Scarlett
would recognize Rebecca’s sacrifice. I really tried to make this more than a
romantic beat, I wanted it to feel like a coming-of-age moment that
supercharged the emotional impact. Scarlett got hit with a double dose of
Rebecca: a life lesson and a romantic awakening, all at once. It created a rare
moment of clarity for our towering teen. One you cant forget… even if you try.
"That's such a deep, thoughtful concept for Scarlett
to grasp, and referring to it as 'the edges of childhood starting to wear away'
was a perfect way to describe it. Because this wasn't some youthful infatuation
or a false feeling of love caused by Rebecca doing something nice for her; it
was a realization of how Rebecca really feels about her and understanding her
own feelings at the same time. Because we already saw hints of Scarlett liking
Rebecca back when they first met: Scarlett's intense nerves when they first
talked, her shock and appreciation for Rebecca covering for her little
masturbatory session at Amber's desk, and Scarlett's own microsexualism, not to
mention Rebecca stepping up and helping her with that Verdanne application as
mentioned back in S1, as well as how invested Scarlett became in Rebecca's
pageant efforts in S1 and S2."
Yes! I love when all these earlier threads get noticed and
called out like this. Scarlett’s been carrying that fascination for Rebecca
since day one, even before they met, honestly. Rebecca was already trying to
soften Amber’s view of her when her girlfriend was pissed at Scarlett’s earlier
antics. And I especially liked seeing you bring up things like the
Verdanne application, those small, tender gestures that quietly built up to
this larger shift. They were laying track for something bigger, and now it’s
starting to move.
"But I really like how you inserted Rebecca pushing
her own feelings aside and dismissing Scarlett as 'a kid, swept up in something
tender and impulsive, caught in the magic of the day.' Because Scarlett's part
of the narrative made very clear that this wasn't what was happening with her.
It makes sense that Rebecca would take it this way, though. It's sometimes easy
to forget that she's, what, 32? It's easy sometimes to think someone so much
younger than you doesn't understand what they're feeling, but in this instance,
I think Scarlett fully understands, which made this segment so exciting!"
This is exactly why I love writing this story in
omniscient third! The freedom to leap between perspectives gives you this
amazing ability to create drama from the dissonance between what characters
believe versus what’s actually happening. We know Scarlett is being
sincere, but Rebecca brushes it off, assuming she’s just caught up in the
emotion of the moment. And yes… Rebecca is 31! Which makes that kind of
internal dismissal even more believable, and also a little exciting.
"I have a feeling that the day when Scarlett's feet
don't gross her out isn't too far in the future. The question now is what this
means for the three girls, both as individuals and as a group."
Haha, I love that you still remember that little detail!
Let’s just say... you might be onto something. And yeah, that’s the big looming
question now… how do these feelings evolve with all three of them tangled
together? Amber’s deeply possessive, and while Donnica managed to share Trevor
with Annabel, that came from a completely different kind of power dynamic, one
rooted in hierarchy and worship. Amber and Scarlett don’t have that framework.
So how will it play out? I’m really looking forward to finding out!
"Speaking of Amber possibly sharing Rebecca, that
sure was a possessive way to end the segment and chapter, wasn't it? Rebecca
getting hot and bothered by Scarlett's wet dream (I think we all know who she
was thinking about) was pretty hot, but the shock of seeing Amber looking down
at her was great! And I don't think it was a coincidence that Amber chose that
moment to start the master-slave stuff back up (although maybe they've been
doing it in the bedroom this whole time and just not doing it in the real
world? I don't know)."
Yes! I wanted to leave that open on purpose, so I love that
you’re theorizing. Did Amber see Rebecca sneaking a glance? Or did she just sense
something had shifted? Maybe she didn’t witness anything directly but still
picked up on the tension, the body language, the energy. And sometimes that’s
enough for a possessive girl like Amber. Or maybe… she just woke up horny >:)
"Still, even with Amber being so dominant here, she
waited until she got consent from Rebecca before lowering her toward her
womanhood. A 'Yes, master' is still a yes. That's a change from the limo scene,
so it's good to see that Amber is still backing off from forcing her will
entirely upon Rebecca like that. And Rebecca ... well, she had a good time for
sure! I did, too! That scene was really fucking hot!"
Thank you!! I was a little worried after the emotional high
of S2 that people might not have the energy for a steamy scene in S3, but god,
this one was so hot to write. It’s been a while since we’ve had a pure
intimate moment between Amber and Rebecca, so I wanted to show them in their
natural element again. And yeah, the master/slave dynamic still exists… it just
mostly stays in the bedroom now. But Amber’s deeper possessiveness? That’s
always simmering under the surface.
"The poor girl needs a win too! I didn't realize she
had gone through a bad breakup (I'm assuming she was dating a tiny, given her
sexuality). I almost forgot to mention that. Yeah, the other stuff in her bad
year, the move and the Verdanne rejection, sucked too, but knowing that
Scarlett was still hurting from the end of a relationship makes me want to root
for her even more. I'd even venture a guess that such heartbreak helped her
realize that epiphany about love and Rebecca!"
Exactly… there’s a lot going on beneath Scarlett’s surface,
and I’m excited to start rolling that out more now. She’s got her own past, her
own baggage, and maybe even some things that’ll surprise people. I’m really
looking forward to weaving her more tightly into the narrative moving forward.
"And The Kingdom of Helena?! But ... but I thought
the kingdoms weren't a thing. That they were a lie. You said! Don't you fucking
tease me! Woooooo!
Er, um, yeah, I'll be eagerly anticipating the next chapter on Monday."
Oh noooo, I’ve said too much! Forget I mentioned it… this
“Kingdom” stuff? Probably just a name Helena uses for a wing of her estate or something.
Nothing suspicious going on at all. Nope.
…Probably.
See ya tomorrow ;)