Penname: idunnow [Contact] Real name:
Member Since: February 19 2017
Membership status: Member
Bio:

I write a bunch of giantess stories, as you can probably tell.

I take story commissions; mainly giantess stuff, but I can write other types of stories provided it appeals to me. Contact me here (the button above, next to my penname) or through my Twitter or DeviantArt (links below) if you're interested.

My current rates are $25 per thousand words, or 2.5 cents per word. Will write up to 10 thousand words per story; might be willing to write more if you've commissioned me previously.


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Reviews by idunnow
Summary:

Tom wakes up in an unknown world and must try and get home with the help of a she-demon who sees him as nothing more than a snack. This is a story mostly vore where our hero is asked to blur the lines between being simple prey and a willing meal.  Can he survive his demonic dealings?


Standard Disclaimer: All publicly recognizable characters, settings, etc. are the property of their respective owners. The original characters and plot are the property of the author. The author is in no way associated with the owners, creators, or producers of any media franchise. No copyright infringement is intended.

Author Disclaimer: This Story will go to some very dark places. If you are easily squeamish, I advise caution. 


Categories: Giantess, Adventure, Body Exploration, Butt, Destruction, Entrapment, Fantasy, Gentle, Humiliation, Insertion, Mouth Play, Muscle, Vore
Characters: None
Growth: Amazon (7 ft. to 15 ft.)
Shrink: Lilliputian (6 in. to 3 in.)
Size Roles: F/m
Warnings: Following story may contain inappropriate material for certain audiences
Series: None
Chapters: 10 Table of Contents
Completed: Yes Word count: 34756 Read Count: 26586
[Report This] Published: May 04 2022 Updated: May 08 2022
Reviewer: idunnow Signed
Date: May 08 2022 Title: Chapter 1: Chapter 1 The Chase

Alright, going to offer some critiques since you asked for them.

Disclaimer: I'm trying to make objective criticisms but some of what I say may be my own stylistic biases speaking.

In general, the problem that pops out most to me is how poorly your ideas flow into each other, mainly because of poorly-structured sentences and paragraphs. I know this is a vague, so let me give some examples.

>Shooting upright, he believed
>Scanning his surroundings, he was perched atop

Here you use a sentence structure which goes "[A]ing [B], [C] [D]ed", in which A and D are verbs, B is an adverb, and C is the subject performing both A and D.

When using this structure, "[C] [D]ed" is supposed to be something that directly follows from "[A]ing [B]", not only chronologicaly, but also logically or causally.

"Moving quickly, he pounced." "Looking back, they saw." "Shrugging it off, she spoke." These are all examples of this structure in which the second action logically follows from the first.

In your sentences, "he believed" does not logically follow from "Shooting upright", nor does "he was perched" follow from "Scanning his surroundings". This could be fixed by changing the second actions to something that does follow from the first. For instance, "Shooting upright, he looked around," and "Scanning his surroundings, he saw that he was perched"

Another approach that would work for the first case would be to switch the position of the actions within the structure of the sentence. "Believing it was an earthquake, he shot upright," or "He shot upright, believing it was an earthquake," both work because shooting upright does logically follow from thinking there's an earthquake going on.

(Incidentally, I would have used "thought" instead of "believed" in this sentence. Thinking is a more immediate, short-term action, while believing usually involves more careful consideration of the available information, so thinking works better as a term for a snap judgement like this.)

>Tapping the home button, it stuttered to life

Here you used the same sentence structure again. This time the two actions do follow from each other, but there is another problem: [A] and [D] are both supposed to be actions which are carried out by [C], but in this sentence they're carried out by two different subjects. You have Tom tapping the home button, and then "it" (the phone) stuttering to life, but because of your misuse of this structure, the implication is that the phone is performing both actions. It would work better as something like "Tom tapped the home button and the phone stuttered to life."

>Another brief quake. Were they getting stronger? He was still wearing his sweatpants from the day before with his running shoes and loose fitting jacket with a long sleeve shirt below.

Here the first two sentences follow from each other, but the third doesn't follow from either of the previous ones. In fact, it marks a complete break from the line of thought of the other two sentences because the clothes he's wearing don't have anything to do with the earthquakes

If you want these exact sentences to be in this exact order, you should at least put a line break between the second and third one to make the first two sentences their own little paragraph. The third sentence should be the start of a new paragraph.

>He brought his hand to mouth to chew on his knuckle. “Did I even make it home last night?” The sky was still dark but heavily obscured by the foliage overhead.

Same problem here. The last sentence starts a completely different line of thought from the one that came before, so it should also be the start of a new paragraph.

>The coarse surface left deep creases in the wooden structure beneath him.

Unless I'm missing something, the coarse surface and the wooden structure are one and the same thing (the giant root), so you're essentially saying that the coarse surface left deep creases on itself, but the creases were already there, they weren't left there by anything. It should simply say "Deep creases ran through the [coarse surface/wooden structure (choose one)] beneath him."

There's a bunch of other sentences or paragraphs I could point to, but I think that's enough examples for now. Basically, you just need to learn how to better structure your thoughts into sentences and paragraphs.

Another general observation is you could really stand to trim down your wordcount by a lot. It would really help make your writing more impactful, I think. Taking the first sentence as an example, and without doing anything too fancy to it, I would have written it as "The ground shook violently below Tom." Besides making it more concise, "The ground shook" is also a stronger start to a story than "Tom felt". "Tom felt" jumped out to me as a really weak opening from the moment I read it.

For one more quick example, you wrote "Tom silently hoped", but "silently" is unnecessary since hoping is already a mental, and thus silent, activity.

Regarding the story itself, I didn't see much to complain about. There's just one thing that felt off as I was reading this first chapter, which is when the giantess said, "I swear you are by far one of the most interesting humans I have ever met." It just doesn't feel like Tom did enough to be seen as all that interesting.

Anyways, that's all I care to say for now. Hope this doesn't discourage you and you go on to improve your writing.

Summary:

This is a continuation of Dealings with Demons. If you have read that story then you should have a good idea of what you're in for.  If you haven't read that story then please do so before reading this one as you might end up spoiling the fun. 

General Disclaimer: All publicly recognizable characters, settings, etc. are the property of their respective owners. The original characters and plot are the property of the author. The author is in no way associated with the owners, creators, or producers of any media franchise. No copyright infringement is intended.



Categories: Adventure, Butt, Fantasy, Gentle, Humiliation, Insertion, Mouth Play, Muscle, Violent, Vore
Characters: None
Growth: Amazon (7 ft. to 15 ft.), Brobdnignagian (51 ft. to 100 ft.)
Shrink: Lilliputian (6 in. to 3 in.)
Size Roles: F/m
Warnings: Following story may contain inappropriate material for certain audiences
Series: None
Chapters: 10 Table of Contents
Completed: Yes Word count: 51973 Read Count: 17769
[Report This] Published: May 30 2022 Updated: June 06 2022
Reviewer: idunnow Signed
Date: May 30 2022 Title: Chapter 1: Chapter 1 Rude Awakening

Sentence and paragraph structure already show a marked improvement form what I read of the first story, so props for that. That said, they still flow a little awkwardly. I'll limit my focus to the paragraph where you describe Hinba and try to offer some pointers. (Again, though I'm trying to be objective, some of what I say may only be my own stylistic preferences.)

She was approximately 90 feet tall, and her skin was a dark red. She wore her standard leather skirt and top that looked more like armor than streetwear. Her two horns hugged the top of her head and pointed forwards. They were a pale purple color that matched her eyes and she had white hair that just barely grazed her shoulders.

Right off the bat, "approximately" is a poor word choice in this context. It's too cold and analytical, like he's consciously trying to make an accurate estimate of her height, which doesn't fit the mood. I would write it as something more like, "She was some 90 feet tall."

"Standard" is a similarly questionable word choice. For her skirt and top to be "standard" they would have to match up to some standard of what they should look like; for instance, you can describe a soldier's military uniform as "standard" because it looks the same as all troop uniforms in that army are supposed to look.

If I'm not mistaken, what you're trying to communicate here is that the skirt and top are the same ones she always wears, in which case "her usual leather skirt and top" would be a better phrasing.

The rest of the paragraph is perfectly fine on a technical level, but it's too sterile; you're practically just listing off her physical traits without any distinct narrative voice. "She was 90 feet tall. She had red skin. She wore a leather skirt and a top. She had purple horns." I'm exaggerating a bit, but you get the idea; it may be an accurate description, but it's not interesting to read. This also applies to most of your other descriptions.

I can't really tell you what makes for a good description, but a writing exercise proposed by John Gardner sprang to mind as I was writing this: "Describe a barn as seen by a man whose son has just been killed in a war. Do not mention the son, or war, or death."

By which I'm not necessarily saying that you should try doing that exercise; I'm mainly bringing it up so you might understand one of the things that a good description can accomplish.

Lastly, I'd also point out that, since you're clearly writing this story with the expectation that everyone reading it should have read the previous one already, meaning they would already know what Hinba looks like, and since Tom also already knows what she looks like so he wouldn't be paying that much attention to it, dedicating a whole paragraph to a description of her was probably unnecessary. It would have been more elegant to intersperse the descriptions throughout the rest of the story, mentioning each physical trait only when it is relevant instead of dumping them all into one paragraph.



Author's Response:

I want to thank you again for the constructive criticism. I really can tell that you put a lot of thought into it and it's worth it's weight in gold. The only thing that I recoil against would be dedicating time to go over her appearance again. I did that more as a personal exercise, to try describing her another way, but I see what your saying. It's a learning experience and I really appreciate your time and candor, though I never got around to replying to your other comment I did read and reread it several times. Look forward to hearing your thought on the later chapters.