This was really cute. I think you did a good job writing slice of life. I like the focus on our protagonists and their characterization with small hints of worldbuilding tossed in here and there; that's the sort of pacing I'd expect from a good slice of life tale. 

I'm kinda curious as to what Duncan and Kristie's relationship looked like before he shrunk because I'm failing to see what he saw in her from this snippet lol. I mean, three days into shrinking and he's already less than a hamster? Goddamn. I do love how verbally manipulative she was, if being physically imposing wasn't already enough, and that duplicity is clearly responsible for what Duncan "saw" in her.

The opening does a great job contrasting her with Callie, both Callie's softer, deliberate motions in approaching and handling Duncan, as well as her not-so-silver tongue which at least better conveys her sincerity. And man, her explanation of bringing out her mom's sowing machine was adorable ("So I said to myself, 'Self, you gotta help this man out,' cuz that's what roomies do for each other," is so cute it hurts). She's characterized very well throughout the chapter. After making multiple sets of tiny clothes and the most impressive miniature replica of a mattress ever, she's catastrophizing about a short offhand comment she didn't even finish. What a beautiful soul!

The moment Stillwell (great name for a snivelly, creep-ass professor. No offense to any real Stillwells, I'm sure you're cool. Where was I? Oh, right.) locked eyes onto the woman in the backrow of an ampitheater lecture hall, I threw up in my mouth. I hate this guy, and I love that. Every subsequent line about and from him is a downward spiral of vile dreck. The fact that he so brazenly admits he raises the classroom thermostat "for her sake" is the dingleberry on the scum sundae.

Callie being so distraught as to almost unaware step on Duncan is another great moment, enhanced by tiny D being too mesmerized by the titaness before him to move out of the way (and subsequently get a good, totally not enviable I swear, whiff of some toe webbing). I think the potential for harm, usually unitended harm, makes gentle stories all the better. It's hard to explain, but the idea of a giantess intentionally having to hold herself back for the tiny's sake and be ever cognizant the effect simple actions have on him is really appealing.

I already like this Monica character and the two very different impressions our leads have of her. Looking forward to seeing how this meeting with her plays out.

There's some good ideas in this story, and the prose itself is well written, but I think how the story is conveyed could use some work. Most of these six chapters feel very expositiony, like I'm being told a summary of the story instead of jumping directly into the story itself. Oftentimes, instead of getting intimate with the characters and their actions, we're just told about them. For example, when the friends meet outside Shawn's house, we're told that they questioned why they are there and discussed it until someone points out it's his house, when it'd be more engaging to see the conversation play out directly. We're told Shawn agrees to the shadowy figure's deal instead of just showing us him agreeing to it. We're told characters feel sad over Erin's disappearance instead of seeing them cry or hear what they had to say about her or really getting into any specific moments.

My favorite line from this story is: "Erin, with a tenderness that belied the coldness of her presence, reached down and cradled his face in her hand." It's a moment where I'm not told how the characters feel but am shown it through an intimate moment. This one line captures how uneasy Shawn feels, comforted by the return of his long-lost friend while disturbed by the way in which she has reappeared into his life. If this story had more moments like this, where we see and hear things through the character's perspectives instead of being told directly how they feel or regularly reminded how important these events are going to be, that would greatly benefit the narrative. 

I hope I got my point across, it's a tricky opinion to explain. Again, I think the ideas in this story are interesting and you're clearly good at syntax, but the story should be more zoomed in on the actual events and not just read off like a summary.

Very cute story. I really liked the relationship dynamic here and how they explored such a kinky magic trick together. I'll admit, I was hoping for an explanation on how he actually escaped from her stomach, but I suppose magicians never tell their secrets lol. 

"Literally eat the rich" size stories are a personal favorite of mine, and this is a spectacular addition to the genre. The worldbuilding was really interesting and details like the fairies helped elevate the smut in the later half. Matty was a very fun protag, especially with how well she stepped into the role of giant tormentor. And Camila was such a pleasant surprise. I was not expecting a tiny sympathetic domme, but man this story really has it all.  Great work!

This was some really good, intimate, growth action. Everything from that initial growth/stripping, to fingering, boob play, Ravannah taking control and Leah wresting it back from her, and that final growth spurt all made for a very exciting ride. Hope they don't have too much trouble fixing their house; they gotta get it in tip top shape for next time Leah gets in the mood to wreck it lol.

It's great to see more of this setting. I'm always a fan of gentle/willing vore, and I love how casual this world is about the concept. Like, the chef dating one of the ingredients is a fun detail. I also enjoyed Olivia's tentativeness towards eating a Gullie. Her intrusive second thoughts and having to ask Ellie to talk to Ashley made her really endearing. In terms of constructive criticism, it's odd to have Olivia and Ellie's segments in third person perspective and the Gulliveran ingrediant's sections in first person. I think it would read better if it were all in third person (technically, all in first person would work too, but then it could get confusing which character were looking through if they are all referring to themselves as I.)

This was really good, especially if it's your first. I enjoyed the dynamic between these two characters, as well as the setup of him waking up sandwiched between the balls and the shaft, and the smutty bits are described very well (which is saying something considering I'm not usually into futa).